Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Musics: A British Magazine of Improvised Music and Art 1975-1979

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David Toop (Foreword) 作者
Ecstatic
譯者
2016-5-16 出版日期
750 頁數
GBP 95.10 價格
平裝
叢書系列
9780997285055 圖書編碼

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Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 著者簡介


Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 著者簡介


Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Musics: A British Magazine of Improvised Music and Art 1975-1979 在線電子書 圖書描述

From 1975 to 1979, London improvisers published the most innovative artists and musicians of their generation in the magazine Musics. Derek Bailey, Evan Parker, John Zorn, David Toop, John Russell, The Feminist Improvising Group, Bob Cobbing, ICP, Martin Davidson, Madelaine Davidson, Annabel Nicholson, Han Bennink, Eddie Prevost, David Cunningham, Steve Beresford among many, many, many others were contributors. After forty years these journals are available in a complete facsimile bound edition.

“…a blueprint for the interlinked activities we now call sound art, field recording, improv, live electronics & audio culture. it came out six times a year and ran for twenty-three gorgeous issues. The journal covered improvised and non-western music alongside performance art, reflecting the broad interests of the so-called “second generation” of London’s improvisers, and provided a convivial focus point. overlapping with London musicians’ collective (LMC), the publication first launched in Spring of 1975, with the tagline: an impromental experivisation arts magazine and a manifesto that proposed the destruction of artificial boundaries, and linked Free Jazz, the works of John Cage, and indigenous and non-European music….”

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