Anyone who loves the humorous but hair-raising horror in R.L. Stine's Goosebumps series will devour British author Darren Shan's first novel with equal zeal. Some books are born with a surrounding buzz; this one even has Harry Potter creator J.K. Rowling's stamp of approval: "Fast-paced and compelling, full of satisfying macabre touches," she writes. Warner Brothers will be making it into a movie, and the rest of the series is already in the works. Given all that, you'd expect a tour de force! Really, though, Cirque Du Freak is a thrill ride that will keep even the most reluctant readers turning pages, but will never take its place in the literary canon.
Darren Shan, author and narrator, sets the book up as a true story, warning readers: "Real life's nasty. It's cruel.... Evil often wins." Indeed, evil begins to win when Darren and his buddies find a flier for "Cirque Du Freak," a traveling freak show promising performances by the snake-boy, the wolf-man, and Larten Crepsley and his giant spider, Madame Octa. Darren and his friend Steve wouldn't miss it for the world.
So, Saturday night they sneak out to the old theater, tall and dark, with broken windows. "Every act you see tonight is real," croaks Mr. Tall. "Each performer is unique. And none are harmless." That's for sure. (A werewolf bites off the hand of someone in the audience, for instance.) Things grow very serious for the two boys when Steve not only recognizes Mr. Crepsley as a famous vampire, but professes his true desire to join him! To make matters worse, the spider-obsessed Darren goes back to the old theater to steal Madame Octa so he can teach her tricks in his room. (He does, with mixed results.) The plot further coagulates as Darren is faced with some terrible decisions about what to do to save his bloodthirsty friend Steve.
Readers may be too enthralled to notice some clumsy editing (the aforementioned bitten-off hand is later referred to as an arm, Darren stops dead in his tracks when he's already stopped, etc.). They may also not notice that the boys constantly use adult-sounding expressions like "his breath stank to the high heavens," though the book is clearly set in the 21st century. If this book gets under your kids' skin (and it probably will), they're in luck--we haven't heard the last of the Saga of Darren Shan. (Ages 10 and older, not for the faint of heart) --Karin Snelson --This text refers to the Hardcover edition.
With strong sales overseas and a movie deal in the works, book one in The Saga of Darren Shan series is poised to capture a wide audience of series horror readers. After a rather slow buildup, a boy with the same name as the author sneaks out with best friend Steve to an illicit freak show, and his life becomes entangled with a vampire spider-wrangler, Mr. Crepsley. "This is a true story," writes Shan. "In real life, bad things happen. People die. Fights are lost. Evil often wins." The scenario is compelling, and the author mines the exploitative history of early 20th-century sideshows to create an artfully macabre "Cirque du Freak." But Darren's actions are often undermotivated: "I can't explain why Madam Octa [the spider] meant so much to me, or why I was placing my life in such danger to have her. Looking back, I'm no longer sure what drove me on." Also his intermittent attraction to and repulsion by the vampire is never fully explored. His behavior may be explained in the sequel, The Vampire's Assistant (due in Sept.), but the open ending leaves so many loose ends that readers may leave more frustrated than intrigued, especially since the characters' wooden dialogue drains them of personality ("I'm upset," says Steve. "It hurt, what Mr. Crepsley said, and you ignoring me at school... If you break up our friendship, I don't know what I'll do"). Readers interested in boys becoming vampires would be better served by M.T. Anderson's Thirsty and those fascinated with freaks by Iain Lawrence's Ghost Boy. Ages 10-up.
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Gr 4-8-In his introduction, 12-year-old Darren claims that this is a true story, though the names have been changed and the country (obviously England) kept secret. When a bizarre-sounding freak show comes to town, he and his friend Steve sneak out to attend, and Steve recognizes one of the performers-as a centuries-old vampire. Darren decides he must steal the vampire's performing, poisonous spider. The theft is successful, and he learns to control Madam Octa with a combination of flute music and ESP-until she bites Steve. Darren must then sell himself into vampire slavery to get the cure to the spider's poison. This volume is neither as well written nor as compulsively readable as the "Harry Potter" books (Scholastic), though surely J. K. Rowling's endorsement on the cover will win it a few fans. Most of the characters aren't developed much beyond their names and a brief description. The slowness of the plot in the beginning might turn some readers off, but once the supernatural enters, they will be hooked. The fun here is in the details and in the uniqueness of the non-evil vampire monster. Several volumes of the series are already out in England, and the movie rights have already been purchased, ensuring that this title and probably its sequels will be in demand.-Timothy Capehart, Leominster Public Library, MA
Copyright 2001 Cahners Business Information, Inc.
--This text refers to the Hardcover edition.
Gr. 5-8. When Cirque Du Freak comes to town, Darren and his friends are obsessed with seeing the acts, which include a performing spider; spiders are a particular fascination of Darren's. It is a marvelously creepy show that lives up to their expectations. After the show, Darren's rowdy pal, Steve, stays behind and confronts the man with the spider--who turns out to be a vampire. Hidden in the shadows, Darren listens, horrified, as Steve begs Mr. Crepsley to make him a vampire, too. Steve's request is denied, but through a series of mishaps, Darren becomes the vampire. The unresolved ending will leave readers begging for more. The gripping plot moves forward at a lightning pace, and Darren's fascination with the grotesque will ring true for many. Though originally published in England, there are no off-putting Briticisms, just a rip-roaring story full of oddities, low-key horror, and occasional, unexpected poignancy. Debbie Carton
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
"...compelling...[T]he author mines the exploitative history of early 20th century sideshows to create an artfully macabre cirque du freak." -- Publishers Weekly, 2/19/01
"...sure to start some great urban legends..." -- VOYA, 4/01 --This text refers to the Hardcover edition.
"When most people hear 'large-print book,' they immediately think senior citizen. But large-print editions of popular children's books -- from the powerhouse Harry Potter series to timeless classics like The Adventures of Tom Sawyer -- are now making their way onto the shelves of the Children's Department at the Canton Library. . . . Although large-print editions are targeted to the visually-impaired or dyslexic child, they can also be used by standard-vision readers. So Kershner [Children's librarian at the Canton Public Library] has decided against creating a special section in the Children's Department (as exists in the Adult Department) opting instead to intersperse large-print books on the shelves with the regular print versions of the same titles."
-- The Observer and Eccentric (October 2000) (The Observer and Eccentric )
"Thorndike Press has helped me not only find books I want to read, but they also look like regular books. That's important when you're a kid and you can only read Large Print, you want your book to look like all the other books. I'm reading a lot more now that we have found Thorndike Press."
-- Jim Bernardin, Islamorada, FL
"Everyone loves to read, there's nothing like curling up with a good book. We're a reading family, so when our son was diagnosed with Stargardt's Disease and only able to read Large Print, it was particularly difficult. Books on tape are wonderful but they don't fill the void of actually reading a good story. Large Print books have been around a long time for older people, but to find a good novel for a young person in Large Print began to feel nearly impossible. The books that Thorndike Press publishes have truly made a difference in my son's reading life. He can enjoy current novels as well as some of the classics that he missed reading when it became too difficult with regular print."
-- Sara Bernardin, Islamorada, FL
"Compelling . . . Explores the powerful fascination of the dangerous and unnatural and also, movingly, the obligations of friendship."
-- J. K. Rowling --This text refers to the Hardcover edition.
可能是少儿版,向读大学时的阅读理解,但是有趣的多,昨天上网搜了他的电影版,看到第一本情节结束的时候,赶快按下停止,还是先读书再看电影吧,电影改编不少,开始就有很多剧透,担心看下一本的时候会不这么好看了。 有疑问的是,难道这本是少儿读物吗?为什么再网上只看到yo...
评分可能是少儿版,向读大学时的阅读理解,但是有趣的多,昨天上网搜了他的电影版,看到第一本情节结束的时候,赶快按下停止,还是先读书再看电影吧,电影改编不少,开始就有很多剧透,担心看下一本的时候会不这么好看了。 有疑问的是,难道这本是少儿读物吗?为什么再网上只看到yo...
评分It just amazes me how many people just don't know the difference between good and bad.
评分It just amazes me how many people just don't know the difference between good and bad.
评分It just amazes me how many people just don't know the difference between good and bad.
对于任何一个渴望阅读那种能够瞬间把你拉入另一个维度的故事的读者来说,这本书绝对值得一试。它成功地在“儿童奇幻冒险”的表皮下,包裹了一颗“哥特式惊悚”的心脏。它不回避黑暗,也不美化牺牲,而是赤裸裸地展示了为了追求某种“伟大”或“特殊”,所必须付出的沉重代价。我尤其欣赏它对于“选择的后果”的处理——一旦你踏上这条路,回头路往往比你想象的要崎岖得多,甚至可能根本不存在。这种不可逆转的命运感,让整个故事充满了宿命论的悲剧色彩,却又让人忍不住为主角接下来的挣扎捏一把汗。它给后续的系列留下了无数令人兴奋的悬念,迫使读者必须立刻去探寻,当一个普通人被卷入超凡的、黑暗的漩涡时,他最终会变成什么样?这是一种让人又爱又恨的阅读体验,因为它让你在享受故事的同时,也感受到了深切的无力感。
评分从叙事节奏上来说,这本书的起手式非常巧妙。它没有一上来就抛出所有的惊悚元素,而是采用了一种缓慢、但步步紧逼的“渗透”方式。一开始,你以为这只是一部关于少年冒险的轻小说,带着一丝丝异域风情的轻快。然而,随着故事的深入,那种潜藏的寒意开始显现,就像是冰冷的藤蔓,悄悄缠绕住了主角的心脏。那些看似滑稽或怪诞的马戏团表演者,他们的背后似乎都隐藏着比他们外表更深、更黑暗的故事。这种层层剥茧的结构,让读者始终处于一种“知道有事情要发生,但不知道具体是什么”的紧张状态中。而且,书中对“恐惧”的描绘,不仅仅是外在的威胁,更多的是内在的自我怀疑和对身份认同的迷失。主角开始怀疑自己所知道的一切,这种认知上的动摇比任何实际的追逐战都更令人不安。
评分这个系列,天哪,我得说,它完全抓住了那种初入青春期特有的、对未知世界既好奇又恐惧的敏感神经。那种感觉就像是,你每天都在做着平淡无奇的学校生活,突然间,一个巨大、黑暗的、充满奇迹和危险的马戏团悄无声息地在你生活的边缘搭起了帐篷。这本书(我指的是这个开端)的魅力在于它毫不留情地将主角——一个看似普通到不能再普通的男孩——猛地拽入了一个他原本只敢在睡梦中窥见的领域。你看着他做出的每一个选择,都充满了那种“如果是我,我会不会也一样?”的纠结。他不是那种天生的英雄,他犯错,他犹豫,他会被恐惧支配,而正是这种真实感,让你无法放下书本。作者对氛围的营造简直是教科书级别的,那种潮湿、充满廉价香水和动物气味的马戏团帐篷下的压抑感,透过文字就能清晰地感受到。而且,那个神秘的、令人不寒而栗的形象,他是如何一步步渗透到主角的生活中,并以一种近乎蛊惑的方式,引诱他走向那条不归路的,这简直是悬疑小说中的一次完美开场白。它不仅仅是关于一个去马戏团的决定,更是关于好奇心如何成为最致命的诱惑。
评分我一直对那些关于“蜕变”的故事抱有特别的偏爱,但这个故事的“蜕变”过程,可比那些光鲜亮丽的英雄之旅要残酷和迷人得多。它展现了一种近乎病态的、被环境驱动的命运。你看着主人公如何从一个试图维护自己“正常”生活的孩子,逐渐滑向一个充满禁忌和黑暗秘密的边缘群体。这种转变不是一蹴而就的,而是由一系列小小的、看似无伤大雅的妥协堆砌而成的。每一次向真相靠近的脚步,都伴随着某种必须付出的代价,而且这个代价往往是你最珍视的东西——比如安全感,比如无忧无虑的童年。我特别欣赏作者对于“怪物”定义模糊的处理。在这个世界里,谁是真正的怪物?是那些在舞台上表演的异类,还是那个利用他们的恐惧和欲望来操纵一切的幕后黑手?这种道德上的灰色地带,让整个叙事充满了张力。读完后,你忍不住会反思,我们对“边缘”的界定,究竟是基于事实,还是基于我们自己对“正常”的恐惧和偏见?
评分这本书的成功,很大程度上归功于它对“马戏团”这一母题的颠覆性运用。马戏团在传统意义上应该是欢笑、奇迹和逃离现实的地方,但在这里,它被描绘成一个充满病态吸引力和强制性规则的封闭生态系统。它不是一个逃避现实的港湾,而是一个更扭曲、更具控制欲的现实本身。每一个小丑的笑声背后,都似乎藏着一丝不易察觉的痛苦或绝望。你甚至会开始同情那些被贴上“怪胎”标签的角色,因为他们或许才是这个世界里最清醒的人,只是他们的“清醒”是以常人无法接受的方式存在的。作者对于这种“异类”群体内部的权力结构和社会规范的刻画,细致入微,充满了讽刺意味。它提醒我们,即使是在最光怪陆离的环境中,等级制度和压迫依然是永恒的主题。
评分better than twilight
评分边读边泪花闪闪 没想到
评分英语原版书阅读计划 奇幻冒险小说 期待第二本吸血鬼和他的助手的冒险之旅。
评分小学还是初中的时候 爱死这书了
评分小学还是初中的时候 爱死这书了
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