Woman with a Movie Camera 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025


Woman with a Movie Camera

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Marina Goldovskaya 作者
University of Texas Press
Antonina W. Bouis 譯者
2006-10-1 出版日期
288 頁數
USD 25.00 價格
Paperback
叢書系列
9780292713437 圖書編碼

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發表於2025-01-09

Woman with a Movie Camera 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

Woman with a Movie Camera 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

Woman with a Movie Camera 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025



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Woman with a Movie Camera 在線電子書 著者簡介


Woman with a Movie Camera 在線電子書 著者簡介


Woman with a Movie Camera 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Woman with a Movie Camera 在線電子書 圖書描述

Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films "The House on Arbat Street", "The Shattered Mirror", and "Solovky Power", has garnered international acclaim and won virtually every prize given for documentary filmmaking. In "Woman with a Movie Camera", Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, "Woman with a Movie Camera" will be fascinating reading for a wide audience.

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