Bartok, Hungary, and the Renewal of Tradition 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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David E Schneider 作者

University of California Press

譯者

2006-11-10 出版日期

306 頁數

GBP 66.00 價格

Hardcover

叢書系列

9780520245037 圖書編碼

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發表於2024-11-24

Bartok, Hungary, and the Renewal of Tradition 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Bartok, Hungary, and the Renewal of Tradition 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Bartok, Hungary, and the Renewal of Tradition 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Bartok, Hungary, and the Renewal of Tradition 在線電子書用戶評價

評分☆☆☆☆☆

smart, lucid, thorough.

評分☆☆☆☆☆

smart, lucid, thorough.

評分☆☆☆☆☆

smart, lucid, thorough.

評分☆☆☆☆☆

smart, lucid, thorough.

評分☆☆☆☆☆

smart, lucid, thorough.

Bartok, Hungary, and the Renewal of Tradition 在線電子書著者簡介

Bartok, Hungary, and the Renewal of Tradition 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Bartok, Hungary, and the Renewal of Tradition 在線電子書圖書描述

It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartok that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartok's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartok felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartok's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.

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