Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history included the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830. Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume. Author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugene Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists such as John Frederick Lewis, Eugene Fromentin, Jean-Leon Gerome, A. D. Ingres, and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style", a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse. Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity. Orientalism in Art covers all these facets, making it an indispensable volume for art historians and anyone with a passion for Orientalist art.
具體描述
讀後感
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用戶評價
所謂東方在歐洲19世紀多指中東地區，幾乎沒有涵蓋中國，以土耳其入侵希臘為背景開始使更多的畫傢關注東方。裏麵也有埃及或者黑人，風格也逐漸從寫實變成現代風格
评分所謂東方在歐洲19世紀多指中東地區，幾乎沒有涵蓋中國，以土耳其入侵希臘為背景開始使更多的畫傢關注東方。裏麵也有埃及或者黑人，風格也逐漸從寫實變成現代風格
评分所謂東方在歐洲19世紀多指中東地區，幾乎沒有涵蓋中國，以土耳其入侵希臘為背景開始使更多的畫傢關注東方。裏麵也有埃及或者黑人，風格也逐漸從寫實變成現代風格
评分所謂東方在歐洲19世紀多指中東地區，幾乎沒有涵蓋中國，以土耳其入侵希臘為背景開始使更多的畫傢關注東方。裏麵也有埃及或者黑人，風格也逐漸從寫實變成現代風格
评分所謂東方在歐洲19世紀多指中東地區，幾乎沒有涵蓋中國，以土耳其入侵希臘為背景開始使更多的畫傢關注東方。裏麵也有埃及或者黑人，風格也逐漸從寫實變成現代風格
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