Painting & the Market in Early Modern Antwerp 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Honig, Elizabeth Alice 作者

Yale Univ Pr

譯者

1999-2 出版日期

319 頁數

$ 67.80 價格

HRD

叢書系列

9780300072396 圖書編碼

Painting & the Market in Early Modern Antwerp 在線電子書圖書標籤: 藝術史歐洲文藝復興 Northern-Renaissance Antwerp

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發表於2024-11-22

Painting & the Market in Early Modern Antwerp 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Painting & the Market in Early Modern Antwerp 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Painting & the Market in Early Modern Antwerp 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Painting & the Market in Early Modern Antwerp 在線電子書用戶評價

評分☆☆☆☆☆

萬分友善的英語...前半部分主要講的是Aertsen和Beuckelaer的kitchen- and market-scene. Ideas developed的方式和速度都很舒服...不過因為是偏舊的資料,所以有一些facts好像和現在的說法不一樣...

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Painting & the Market in Early Modern Antwerp 在線電子書著者簡介

Painting & the Market in Early Modern Antwerp 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Painting & the Market in Early Modern Antwerp 在線電子書圖書描述

This important book explores the ways in which Flemish painting between 1550 and 1650 both represented and reflected the burgeoning capitalism of Antwerp, the major port of Europe at that time. Elizabeth Honig focuses not only on market-scene paintings but also on the interaction between painters and markets. Honig discusses the paintings of Pieter Aertsen and his nephew Joachim Beuckelaer within the context of a developing aesthetic of exchange, as art became increasingly defined as an alluring commodity that aroused in its beholder a desire for possession and called upon the tempering forces of individual reason and self-judgment. She then examines file relation between painting and file market that emerged in Antwerp after the Spanish reconquest. She shows how the dynamism of market commerce was pictorially masked to provide an illusion of stasis: still-life painting became the inheritor of -- and subverter of -- the market scene. Finally she considers the implications of an aesthetic of display within a newly dominant manner of artistic production (collaboration) and consumption (connoisseurship), as painters tried to produce works that would appeal to the tastes of consumers. She argues that the roots of certain modern ways of collecting and valuing paintings lay within this change in aesthetic priorities.

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