Origins, Imitation, Conventions 在线电子书 图书标签: 建筑理论 建筑 architecture+history Drawing 设计 艺术理论 文化研究 建筑历史及理论
发表于2024-12-25
Origins, Imitation, Conventions 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
大爱ackerman,比内几位建筑史圈里写再现和建筑图的著名学者废话少多了,头脑清醒观点犀利到位不罗嗦。
评分大爱ackerman,比内几位建筑史圈里写再现和建筑图的著名学者废话少多了,头脑清醒观点犀利到位不罗嗦。
评分这本书中,建筑史学家Ackerman探讨了一系列“起源”的话题:中世纪最早使用新式纸张画建筑图的人和作法,最早形成制图规范的人,最早。。。。。有些类似里克沃特的话题,建筑的表现手段,是怎样影响到建筑师的工作,他们会不会因为工具的限制,而放弃某类空间的设计呢
评分这本书中,建筑史学家Ackerman探讨了一系列“起源”的话题:中世纪最早使用新式纸张画建筑图的人和作法,最早形成制图规范的人,最早。。。。。有些类似里克沃特的话题,建筑的表现手段,是怎样影响到建筑师的工作,他们会不会因为工具的限制,而放弃某类空间的设计呢
评分本来可以拿满分的,但从讲帕拉迪奥开始步入陈词滥调。1.有关绘图,北方工匠传统,多线图,意大利画师出身转建筑,难改透视表现,平立剖面的绘图方式虽由阿尔贝蒂倡导但至拉斐尔方确定,也间接暗示意大利即便是对于单个平面的观察也是一个有厚度的浅空间;2.建筑学之成为建筑学,画师传统(透视与构成),文人传统(修辞,建筑是一种语言),工匠传统(军事机械,实验科学),由此出现三种“模仿”观:帕拉迪奥等人代表的主流认为是建筑结构和装饰效仿自然中的状态,以视觉传递心理稳定感(画师传统),达芬奇通过直接观察来捕捉眼睛看到的状态,类似近现代的视觉心理理论(工匠传统),巴巴罗认为仿效自然指人与自然共享intelligence(文人传统)。
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past--which may act not only as a restraint but as a challenge and stimulus--and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences.The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
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Origins, Imitation, Conventions 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024