Art is more about what isn't than what is, as popular psychologist Darian Leader reconsiders art history in a very particular--and refreshing--way. When the Mona Lisa was stolen from the Louvre in 1911, it was twenty-four hours before anyone noticed it was missing. Afterward, countless people flocked to see the empty space where it had once been on display. What could have drawn these crowds to stare at a blank wall? Many of them had never seen the painting in the first place. Can this tell us something about why we look at art, why artists create it, and why it has to be so expensive? Taking this story as his starting point, Darian Leader explores the psychology of looking at paintings and sculpture. He combines anecdote, observation, and analysis with examples taken from classical and contemporary art. This is a book about why we look at art, and what, indeed, we might be hoping to find.
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只是个轻松的文化随笔，而且看得出隐含的政治立场很保守，但精神分析的视角带到艺术史和视觉研究里，简直像闷热的屋子打开一扇窗。分析师独特的敏锐和洞察力还是很明显的，而且通篇不甩任何jargon（反面请参考周蕾写《蝴蝶君》）
评分plausible and, just plausible
评分只是个轻松的文化随笔，而且看得出隐含的政治立场很保守，但精神分析的视角带到艺术史和视觉研究里，简直像闷热的屋子打开一扇窗。分析师独特的敏锐和洞察力还是很明显的，而且通篇不甩任何jargon（反面请参考周蕾写《蝴蝶君》）
评分plausible and, just plausible
评分只是个轻松的文化随笔，而且看得出隐含的政治立场很保守，但精神分析的视角带到艺术史和视觉研究里，简直像闷热的屋子打开一扇窗。分析师独特的敏锐和洞察力还是很明显的，而且通篇不甩任何jargon（反面请参考周蕾写《蝴蝶君》）
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