Art is more about what isn't than what is, as popular psychologist Darian Leader reconsiders art history in a very particular--and refreshing--way. When the Mona Lisa was stolen from the Louvre in 1911, it was twenty-four hours before anyone noticed it was missing. Afterward, countless people flocked to see the empty space where it had once been on display. What could have drawn these crowds to stare at a blank wall? Many of them had never seen the painting in the first place. Can this tell us something about why we look at art, why artists create it, and why it has to be so expensive? Taking this story as his starting point, Darian Leader explores the psychology of looking at paintings and sculpture. He combines anecdote, observation, and analysis with examples taken from classical and contemporary art. This is a book about why we look at art, and what, indeed, we might be hoping to find.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
隻是個輕鬆的文化隨筆，而且看得齣隱含的政治立場很保守，但精神分析的視角帶到藝術史和視覺研究裏，簡直像悶熱的屋子打開一扇窗。分析師獨特的敏銳和洞察力還是很明顯的，而且通篇不甩任何jargon（反麵請參考周蕾寫《蝴蝶君》）
评分隻是個輕鬆的文化隨筆，而且看得齣隱含的政治立場很保守，但精神分析的視角帶到藝術史和視覺研究裏，簡直像悶熱的屋子打開一扇窗。分析師獨特的敏銳和洞察力還是很明顯的，而且通篇不甩任何jargon（反麵請參考周蕾寫《蝴蝶君》）
评分隻是個輕鬆的文化隨筆，而且看得齣隱含的政治立場很保守，但精神分析的視角帶到藝術史和視覺研究裏，簡直像悶熱的屋子打開一扇窗。分析師獨特的敏銳和洞察力還是很明顯的，而且通篇不甩任何jargon（反麵請參考周蕾寫《蝴蝶君》）
评分隻是個輕鬆的文化隨筆，而且看得齣隱含的政治立場很保守，但精神分析的視角帶到藝術史和視覺研究裏，簡直像悶熱的屋子打開一扇窗。分析師獨特的敏銳和洞察力還是很明顯的，而且通篇不甩任何jargon（反麵請參考周蕾寫《蝴蝶君》）
评分隻是個輕鬆的文化隨筆，而且看得齣隱含的政治立場很保守，但精神分析的視角帶到藝術史和視覺研究裏，簡直像悶熱的屋子打開一扇窗。分析師獨特的敏銳和洞察力還是很明顯的，而且通篇不甩任何jargon（反麵請參考周蕾寫《蝴蝶君》）
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