Beyond the Brillo Box

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出版者:University of California Press
作者:Arthur C. Danto
出品人:
页数:275
译者:
出版时间:1998-11-03
价格:USD 24.95
装帧:Paperback
isbn号码:9780520216747
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图书标签:
  • 哲学 
  • 现代主义 
  • 艺术 
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In this collection of interconnected essays, Arthur C. Danto argues that Andy Warhol's Brillo Box of 1964 brought the established trajectory of Westen art to an end and gave rise to a pluralism which has changed the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art-and resulting historical narratives-differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists.

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From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

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From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

评分

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

评分

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

评分

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

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