Beyond the Brillo Box 在線電子書 圖書標籤: 哲學  現代主義  藝術   

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確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些

確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些

寫的深刻入髓

確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些

寫的深刻入髓

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...