Edward Steichen (1879-1973) produced many of his strongest photographs from the 1890s to World War I, the period covered here in examples from the Metropolitan Museum of Art's collection. Steichen took up photography as a teenager and by the age of 23 was headed toward celebrity status as his photographs won the admiration of artists as well as fellow photographers. He was in demand as a portraitist of the rich and famous but produced some of his finest work in the portraits of other artists and in nude studies. His photographs of the Flatiron Building and other New York scenes have defined those spaces since. Steichen's misty, moody, subtle, multilayered photographs--made from experimental, painterly printing methods of the period--are reproduced here in amazing fidelity through four-color digital offset lithography. Smith (department of photographs, Metropolitan Museum of Art) provides a carefully researched and highly readable biographical and interpretive essay that illuminates the diverse influences on Steichen. Highly recommended for all photography and fine art collections.
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牛B的，大师了
评分看了原作.
评分回顾Steichen的拍摄风格历史，他最初还在试图采用柔焦的方式来营造时尚摄影中的艺术感，但很快就摒弃了模仿古典绘画风格的布光与影调，开始使用更明快、对比更强的现代主义风格，尤其在对女性肖像的拍摄中采取了直接、独立、更具诱惑性的表现方式 ─ 这完全改变了美国公众心目中的女性形象.运用充满戏剧性的光线，运用线条，将传统Fine-Art的精髓与现代主义风格想结合的。
评分I like the hazy feeling
评分回顾Steichen的拍摄风格历史，他最初还在试图采用柔焦的方式来营造时尚摄影中的艺术感，但很快就摒弃了模仿古典绘画风格的布光与影调，开始使用更明快、对比更强的现代主义风格，尤其在对女性肖像的拍摄中采取了直接、独立、更具诱惑性的表现方式 ─ 这完全改变了美国公众心目中的女性形象.运用充满戏剧性的光线，运用线条，将传统Fine-Art的精髓与现代主义风格想结合的。
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