Edward Steichen (1879-1973) produced many of his strongest photographs from the 1890s to World War I, the period covered here in examples from the Metropolitan Museum of Art's collection. Steichen took up photography as a teenager and by the age of 23 was headed toward celebrity status as his photographs won the admiration of artists as well as fellow photographers. He was in demand as a portraitist of the rich and famous but produced some of his finest work in the portraits of other artists and in nude studies. His photographs of the Flatiron Building and other New York scenes have defined those spaces since. Steichen's misty, moody, subtle, multilayered photographs--made from experimental, painterly printing methods of the period--are reproduced here in amazing fidelity through four-color digital offset lithography. Smith (department of photographs, Metropolitan Museum of Art) provides a carefully researched and highly readable biographical and interpretive essay that illuminates the diverse influences on Steichen. Highly recommended for all photography and fine art collections.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
牛B的，大師瞭
评分牛B的，大師瞭
评分牛B的，大師瞭
评分牛B的，大師瞭
评分迴顧Steichen的拍攝風格曆史，他最初還在試圖采用柔焦的方式來營造時尚攝影中的藝術感，但很快就摒棄瞭模仿古典繪畫風格的布光與影調，開始使用更明快、對比更強的現代主義風格，尤其在對女性肖像的拍攝中采取瞭直接、獨立、更具誘惑性的錶現方式 ─ 這完全改變瞭美國公眾心目中的女性形象.運用充滿戲劇性的光綫，運用綫條，將傳統Fine-Art的精髓與現代主義風格想結閤的。
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