In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.
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嘴上笑嘻嘻,心里mmp,这句不恰当的话时常浮现在我脑海。不知道已经读了几遍还要在读几遍,碰上了你也没办法。
评分实在不了解解构主义。但是三年多后第二次读似乎能对德里达的手法多了解一些。Pam说读德里达相当于读诗歌。也就是说他不会去正想定义档案这个概念,而是会通过同一词根的变化和相同短语的不同组合来展现意义。也就是说意义在形式里。Archive, Arkhe, arkheion, arkhai, archivation, archiviology, archiving, archivist, archived. Impression, suppression, repression, mneme, anamnesis, hypomnesis. 德里达不告知但是展现。另外这篇看似讨论档案的文章实际上在讨论电子媒体,脐带是神秘记事本。推荐Leonard Lawlor的书评。
评分不开玩笑 整本书我看懂的话不到十句
评分又一个被贴在我卧室床头的dead white male
评分1.The distinction between repression and suppression will be enough to disrupt the tranquil landscape of all historical knowledge; 2.(Psychic) archive can never be reduced to memory neither as conscious reserve nor as act of recalling. 3.The structure of the archive is spectral a priori.
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