In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.
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不开玩笑 整本书我看懂的话不到十句
评分艰难啃下题铭部分后深深为此白男折服。在一个弗洛伊德档案馆的讨论会上选取的讨论对象之精妙:一部分引弗自己深具档案性的精神分析写作,尤以神秘书写板类比perceptual apparatus篇,来讨论archive fever;另一部分引弗父赠予35岁弗的一本圣经上的题词及写到过这个待归档文件的小说Freud's Moses来讨论archive drive。二者分别对应档案安置/substrate/typological和执政/legislate/nomological的特性,然而与其直接描述,德里达选择去不断叩问让特性成立的边界是什么,而边界又是在档案的特性被新的归档技术环境撼动时才能显现。神秘书写板作为记忆的模型和记忆的义肢打通两层论述,顺便批判了一下弗只顾类比没有发现技术重组了内外、公私。
评分真天书也 祈求过了这周此生都不要在碰见德里达!!!!
评分1.The distinction between repression and suppression will be enough to disrupt the tranquil landscape of all historical knowledge; 2.(Psychic) archive can never be reduced to memory neither as conscious reserve nor as act of recalling. 3.The structure of the archive is spectral a priori.
评分又一个被贴在我卧室床头的dead white male
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