具体描述
Kenneth Burke's innovative use of dramatism and dialectical method have made him a powerful critical force in an extraordinary variety of disciplines--education, philosophy, history, psychology, religion, and others. While most widely acclaimed as a literary critic, Burke has elaborated a perspective toward the study of behavior and society that holds immense significance and rich insights for sociologists. This original anthology brings together for the first time Burke's key writings on symbols and social relations to offer social scientists access to Burke's thought.
In his superb introductory essay, Joseph R. Gusfield traces the development of Burke's approach to human action and its relationship to other similar sources of theory and ideas in sociology; he discusses both Burke's influence on sociologists and the limits of his perspective. Burke regards literature as a form of human behavior--and human behavior as embedded in language. His lifework represents a profound attempt to understand the implications for human behavior based on the fact that humans are "symbol-using animals." As this volume demonstrates, the work that Burke produced from the 1930s through the 1960s stands as both precursor and contemporary key to recent intellectual movements such as structuralism, symbolic anthropology, phenomenological and interpretive sociology, critical theory, and the renaissance of symbolic interaction.
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伯克在此书中提到了他著名的"辞屏"(terministic screen)概念，这一概念来自摄影：“当我谈到辞屏时，我想起来我曾见过的一些摄影。他们是同一物体的不同照片，其差别在于拍摄它们时，摄影师使用了不同的滤色镜。‘呈现事实’的照片可以在特点，甚至在形式上表现出明显差异，这取决于摄影师使用了不同的滤色镜对所记录事件进行纪录片式的描述。”人们交际时使用的词语就是一个独特的滤色镜，是一种辞屏，正如摄影师依靠镜头捕捉物体的形象和色彩进行拍摄，人们交往需要使用语言这一镜头，人们通过其观察认识世界。但镜头所摄的照片并非原物，有选择地将受众注意力引向拍摄对象的某些特征。因此，也掩盖了其他的特征。通过语言滤色镜看到的现实，也非原本的现实，词语对现实而言是有选择性的，它既是对现实的反映也是对现实的背离。
评分the author is a poet...so the articles are vague...
评分伯克在此书中提到了他著名的"辞屏"(terministic screen)概念，这一概念来自摄影：“当我谈到辞屏时，我想起来我曾见过的一些摄影。他们是同一物体的不同照片，其差别在于拍摄它们时，摄影师使用了不同的滤色镜。‘呈现事实’的照片可以在特点，甚至在形式上表现出明显差异，这取决于摄影师使用了不同的滤色镜对所记录事件进行纪录片式的描述。”人们交际时使用的词语就是一个独特的滤色镜，是一种辞屏，正如摄影师依靠镜头捕捉物体的形象和色彩进行拍摄，人们交往需要使用语言这一镜头，人们通过其观察认识世界。但镜头所摄的照片并非原物，有选择地将受众注意力引向拍摄对象的某些特征。因此，也掩盖了其他的特征。通过语言滤色镜看到的现实，也非原本的现实，词语对现实而言是有选择性的，它既是对现实的反映也是对现实的背离。
评分the author is a poet...so the articles are vague...
评分the author is a poet...so the articles are vague...
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