Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S.

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Ruberto, Laura E. 作者
Rowman & Littlefield Pub Inc
譯者
2007-5 出版日期
160 頁數
$ 68.93 價格
HRD
叢書系列
9780739110737 圖書編碼

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Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 著者簡介


Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 著者簡介


Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Gramsci, Migration, and the Representation of Women's Work in Italy and the U.S. 在線電子書 圖書描述

This book considers cultural representations of four different types of labor within Italian and U.S. contexts: stories and songs that chronicle the lives of Italian female rice workers, or mondine; testimonials and other narratives about female domestic servants in Italy in the second half of the twentieth century (including contemporary immigrants from non-western countries); cinematic representations of unwaged household work among Italian American women; and photographs of female immigrant cannery labor in California. These categories of labor suggest the diverse ways in which migrant women workers take part in the development of what Antonio Gramsci calls national popular culture, even as they are excluded from dominant cultural narratives. The project looks at Italian immigration to the U.S., contemporary immigration to Italy, and internal migration within Italy, the emphasis being on what representations of migrant women workers can tell us about cultural and political change. In addition to the idea of national popular culture, Gramsci's discussion of the social role of subalterns and organic intellectuals, the politics of folklore (or 'common sense') and everyday culture, and the necessity of alliance-formations among different social groups all inform the textual analyses. An introduction, which includes a reconsideration of Gramsci's theories in light of feminist theory, argues that the lives of subaltern classes (such as migrant women) are inherently connected to struggles for hegemony. A brief epilogue, on a lesser-known essay by photographer Tina Modotti, closes the discussion.

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