Tim Edensor is a Lecturer in Cultural Studies, at the Staffordshire University.
The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture?
This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted ñ from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between 'high' and 'low' culture.
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語言風格與寫作內容相稱後現代相關的一切信手拈來我不太會誇人。(B)巴(U)特(T),隻有親身翻譯過,纔知道會寫書的人多特麼牛逼能把一個中心掰掰碎切切爛又黏黏糊寫成無數段基本點。
评分語言風格與寫作內容相稱後現代相關的一切信手拈來我不太會誇人。(B)巴(U)特(T),隻有親身翻譯過,纔知道會寫書的人多特麼牛逼能把一個中心掰掰碎切切爛又黏黏糊寫成無數段基本點。
评分個人偏愛這本書的寫法和語言,把復雜的各種理論基於文化地理學的範圍輻射進行有機闡述和結閤,將國傢認同性和日常生活中的載體理論性的實例化並重的進行分析,讓人讀得下去並激發思考。
评分真是悲催啊!!!!!!!!!一天要看幾本書啊!!!!!力薦第四章Braveheart!!!!!!!!
评分語言風格與寫作內容相稱後現代相關的一切信手拈來我不太會誇人。(B)巴(U)特(T),隻有親身翻譯過,纔知道會寫書的人多特麼牛逼能把一個中心掰掰碎切切爛又黏黏糊寫成無數段基本點。
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