Post Office

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出版者:HarperCollins Publishers, Inc.
作者:Charles Bukowski
出品人:
页数:208
译者:
出版时间:2014-7-29
价格:USD 14.99
装帧:Paperback
isbn号码:9780061177576
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图书标签:
  • CharlesBukowski
  • 小说
  • 美国
  • 美国文学
  • 外国文学
  • Charles_Bukowski
  • 英语
  • 英文原著
  • 邮政系统
  • 通信
  • 日常生活
  • 城市生活
  • 社会服务
  • 运输
  • 邮政历史
  • 儿童读物
  • 探索
  • 社区
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具体描述

"It began as a mistake." By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel—the one that catapulted its author to national fame—is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

作者简介

Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

Biography

During the course of his long, prolific literary career, Charles Bukowski was known as a poet, novelist, short story writer, and journalist. But it is as a cult figure, an "honorary beat" who chronicled his notorious lifestyle in raw, unflinching poetry and prose, that he is best remembered. Born in the aftermath of World War I to a German mother and an American serviceman of German descent, he was brought to the U.S. at the age of three and raised in Los Angeles. By all accounts, his childhood was lonely and unhappy: His father beat him regularly, and he suffered from debilitating shyness and a severely disfiguring case of acne. By his own admission, he underwent a brief flirtation with the far right, associating as a teenager with Nazis and Nazi sympathizers. After high school, he attended Los Angeles City College for two years, studying art, literature, and journalism before dropping out.

Although two of his stories were published in small literary magazines while he was still in his early 20s, Bukowski became discouraged by his lack of immediate success and gave up writing for ten years. During this time he drifted around the country, working odd jobs; fraternizing with bums, hustlers, and whores; and drinking so excessively that he nearly died of a bleeding ulcer.

In the late 1950s, Bukowski returned to writing, churning out copious amounts of poetry and prose while supporting himself with mind-numbing clerical work in the post office. Encouraged and mentored by Black Sparrow Press publisher John Martin, he finally quit his job in 1969 to concentrate on writing full time. In 1985, he married his longtime girlfriend Linda Lee Beighle. Together they moved to San Pedro, California, where Bukowski began to live a saner, more stable existence. He continued writing until his death from leukemia in 1994, shortly after completing his last novel, Pulp.

Bukowski mined his notorious lifestyle for an oeuvre that was largely autobiographical. In literally thousands of poems, he celebrated the skid row drunks and derelicts of his misspent youth; and, between 1971 and 1989, he penned five novels (Post Office, Factotum, Women, Ham on Rye, and Hollywood) featuring Henry Chinaski, an alcoholic, womanizing, misanthrope he identified as his literary alter ego. (He also wrote the autobiographical screenplay for the 1987 film Barfly, starring Mickey Rourke and Faye Dunaway.) Yet, for all the shock value of his graphic language and violent, unlovely images, Bukowski's writing retains a startling lyricism. Today, years after his death, he remains one of the 20th century's most influential and widely imitated writers.

目录信息

读后感

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第一次阅读布考斯基,虽然说不上有多喜欢,但感觉足够震撼。 和其他作家不一样,布考斯基的作品不是为你打开一扇窗,而是在你脚下深挖了一个洞,让你直接跌入生活的最底层。刚开始你或许会有些许不适,但会渐渐感觉其真实。那底层的逼仄,阴暗,潮湿,甚至是绝望,这些并不遥...  

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“Nothing like the old water treatment. I had borrowed a page from the headshrinkers.” 这部本不应该作为布考斯基处女座长篇的作品还是鬼使神差地被各路文艺左奉为了经典,不可否认的是这是布考斯基落魄、矛盾、愤怒的年代。也因为这本书布考斯基正式地开始了职业写作的...  

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第一次阅读布考斯基,虽然说不上有多喜欢,但感觉足够震撼。 和其他作家不一样,布考斯基的作品不是为你打开一扇窗,而是在你脚下深挖了一个洞,让你直接跌入生活的最底层。刚开始你或许会有些许不适,但会渐渐感觉其真实。那底层的逼仄,阴暗,潮湿,甚至是绝望,这些并不遥...  

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这要取决于站在什么样的立场上。 这并不是一部能够一直吸引我读下去的小说,并不像是某些鸿篇巨制一样,一旦你被编织到了巨大的人物脉络与故事情结中的时候,便无法自拔。 而《邮差》不同。我一直在想,他——作者要和我们说什么,他想表达什么。没有什么有意思的情节,一天一...

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我争取每读一本书都能读到一些什么,但我发现这其实会让人很痛苦,痛苦发生在每次阅读之后。 我希望自己将来能够拥有一种勇气,能够亲手挖出自己心脏。我希望我的心脏可以泡在福尔马林里,但却不知道该把它放在哪。 放在某个老酒鬼的兜里,让他喝多的时候拿来下酒,哈哈哈。 ...  

用户评价

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读起来是轻松愉快啊 但是没get到点

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I have mixed-feelings about this one. Maybe a three-star rating (or three and a half) is better justified but anyways. I don't know. It gives me some laughs (although they're usually kinda "cold") but I'm not sure if I do empathize with the protagonist. Guess I'm really not a hipster.

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我喜欢烂人!

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原始的阅读快感 果然还是得看原版啊 只有他能写出一连下了几天雨the whole city gives up这样的句子

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The reality he so precisely and vividly described breaks my heart, and how hard he tries to love this world with all its brokenness moves me.

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