Render to Caesar

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出版者:Oxford University Press
作者:Christopher Bryan
出品人:
页数:208
译者:
出版时间:2005-8
价格:$ 39.55
装帧:
isbn号码:9780195183344
丛书系列:
图书标签:
  • 历史
  • 历史小说
  • 罗马帝国
  • 凯撒
  • 政治阴谋
  • 权力斗争
  • 古罗马
  • 历史
  • 战争
  • 阴谋
  • 传记
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具体描述

Book Description

At the end of the 20th century, "postcolonialism" described the effort to understand the experience of those who had lived under colonial rule. This kind of thinking has inevitably brought about a reexamination of the rise of Christianity, which took place under Roman colonial rule. How did Rome look from the viewpoint of an ordinary Galilean in the first century of the Christian era? What should this mean for our own understanding of and relationship to Jesus of Nazareth? In the past, Jesus was often "depoliticized," treated as a religious teacher imparting timeless truths for all people. Now, however, many scholars see Jesus as a political leader whose goal was independence from Roman rule so that the people could renew their traditional way of life under the rule of God. In Render to Caesar, Christopher Bryan reexamines the attitude of the early Church toward imperial Rome. Choosing a middle road, he asserts that Jesus and the early Christians did indeed have a critique of the Roman superpower -- a critique that was broadly in line with the entire biblical and prophetic tradition. One cannot worship the biblical God, the God of Israel, he argues, and not be concerned about justice in the here and now. On the other hand, the biblical tradition does not challenge human power structures by attempting to dismantle them or replace them with other power structures. Instead, Jesus' message consistently confronts such structures with the truth about their origin and purpose. Their origin is that God permits them. Their purpose is to promote God's peace and justice. Power is understood as a gift from God, a gift that it is to be used to serve God's will and a gift that can be taken away by God when misused. Render to Caesar transforms our understanding of early Christians and their relationship to Rome and demonstrates how Jesus' teaching continues to challenge those who live under structures of government quite different from those that would have been envisaged by the authors of the New Testament.

Review

"For those interested in religion and politics (and who is not?), Bryan can help us grasp the clarity of the perspective that runs through the whole Bible. This kind of New Testament theology illumines both historical context and theological significance." --America

"...a fine book, readable, closely argued, and assidusously documented. Render to Caesar is a valuable correction of certain forms of political theology, and also of pacifist and other abdications of political responsibility. It is, at the same time, a compelling call for the Church to muster the wisdom and courage to do its public duty." --First Things

"With admirable learning and balanced judgment, Bryan covers a wide range of ancient texts pertaining to religion and politics. In showing that the prophets, Jesus, and the NT writers were mainly concerned with the origin and purpose of political power, he clarifies in what sense the biblical tradition is and is not political. While providing sensible correctives to overstatements by other scholars, Bryan also presents an accurate picture of the early church's place in the Roman empire." --Daniel J. Harrington, S.J., author of The Church According to the New Testament: What the Wisdom and Witness of Early Christianity Teach Us Today

"The interface between the gospel of Jesus and the empire of Caesar has suddenly become a hot, and disturbingly relevant, topic in biblical studies. Christopher Bryan's new book, full of his characteristically shrewd and original observations and scholarly insights, cuts across much current thinking and raises questions which cannot be ignored, either by historians or by those keen to rediscover the relevance of the gospel in today's world." --N.T. Wright, Bishop of Durham and author of the three-volume Christian Origins and the Question of God

"Bryan cogently and elegantly argues that the biblical tradition confronts human power structures not to displace them, but to insist that they recognize their origin in God and their purpose of serving God by promoting justice and peace." --hristian Century

"Were Jesus and the first Christians political revolutionaries? Given the chance, would they have replaced the Roman imperium with some other social and political order? Against several strands of recent exegesis, Christopher Bryan thinks not. In my view, he makes his case. But almost as important, he does it with clear arguments and in literate English. Render to Caesar is a good read, which lamentably can now be said of few scholarly works." --Robert W. Jenson, author of Systematic Theology, Volume 1: The Triune God and Volume 2: The Works of God

好的,以下是图书《Render to Caesar》的详细简介,内容不包含该书本身的故事线索: --- 《帝国之影:罗马的日常与非凡》 一部深入剖析公元一世纪罗马城脉络的史诗级编年史 《帝国之影:罗马的日常与非凡》并非仅仅是一部关于凯撒或奥古斯都的宏大叙事,它是一部关于时间、权力与凡人在罗马帝国鼎盛时期如何共存的精细编织。本书以严谨的史学考证和充满生命力的叙事笔触,带领读者穿越至公元一世纪——那个被历史称为“黄金时代”的帝制开端。 第一部分:石砌的骨架——帝国的物理世界 本书的第一部分着重于描绘罗马城本身这一“活的有机体”。作者摒弃了对宏伟建筑的刻板描述,转而聚焦于支撑这座庞大都市运转的底层逻辑与日常景象。 一、从下水道到万神殿:城市生理学 罗马城是人类工程学的奇迹,其复杂程度令人咋舌。我们详细考察了克劳迪乌斯皇帝时期修建的宏伟引水渠网络,分析了这些水利工程如何彻底改变了公民的生活质量、公共卫生,乃至阶级间的权力分配。我们不仅描述了“引水入城”的壮举,更深入探讨了“废水排出”的挑战——庞大的下水道系统(如“大下水道”)如何成为帝国秩序的隐形支撑。 接着,我们将目光投向那些支撑日常生活的物质:面包房的烟火、市场上的喧嚣、以及港口奥斯蒂亚堆积如山的谷物。通过对考古遗址和文献记载的交叉比对,读者将看到一粒来自埃及的麦子是如何沿着贸易航线,最终变成罗马贫民手中“面包与马戏”的配给。 二、阶层与垂直空间:罗马的居住形态 罗马城是垂直发展的城市,其居住空间清晰地映射了社会等级。本章详尽分析了“多层公寓楼”(Insulae)的结构、安全隐患(特别是火灾风险)以及底层平民的拥挤生活。我们将之与富人区宁静、奢华的“独立住宅”(Domus)进行鲜明对比。通过对潘普泰亚(Pompeii)等地的地籍数据分析,我们重建了公元一世纪罗马市民的“居住图谱”,揭示了空间的稀缺性如何催生了独特的社会行为模式。 第二部分:流动的血液——帝国的社会机器 如果说石砌的建筑是罗马的骨架,那么其社会结构和商业活动就是流淌其中的血液。第二部分探讨了权力如何渗透到社会生活的每一个毛孔。 一、信使与文书:信息的流通与控制 在没有电子通信的时代,信息的速度决定了帝国的疆域。本书详述了“帝国信使系统”(Cursus Publicus)的运作机制,包括驿站的配置、信鸽的使用,以及对重要公文的加密与分发。我们分析了元老院、行省总督和宫廷之间的信息延迟如何影响决策的制定,以及文书工作者阶层(Scribes)在权力结构中的隐秘地位。 二、货币的重量与信任的维度 罗马帝国是第一个真正意义上的货币经济体。本章深入研究了铸币厂的运作、贵金属的提纯,以及货币的含金量(尤其是尼禄改革后)。我们考察了普通市民如何通过“铜钱”(As)进行日常交易,而巨额财富的转移又依赖于信贷和汇票。通过对商法残篇的研究,我们描绘了一个复杂的金融网络,它是帝国扩张的隐形引擎。 三、服饰的语言:识别与伪装 在视觉主导的罗马社会,服饰是比语言更直接的身份标识。本书细致入微地解析了“托加袍”(Toga)在不同场合的穿戴规范,其褶皱的数量和材质的颜色如何象征着政治地位和公民权。我们探讨了女性服饰的演变,以及奴隶与自由人之间的着装禁忌。通过分析法律文献和雕塑描绘,我们重建了罗马人在街头巷尾进行“身份解码”的微妙艺术。 第三部分:精神的张力——信仰、法律与日常信仰 罗马的非凡之处在于其强大的社会凝聚力,这种凝聚力植根于其法律体系和精神世界。 一、法律的逻辑:从城邦到帝国 罗马法是西方文明的基石,但其在公元一世纪的应用并非铁板一块。本章区分了“市民法”(Ius Civile)与“万民法”(Ius Gentium)在行省治理中的差异。我们通过分析著名的“法学家”的判例,展示了法律在处理奴隶贸易、财产继承和商业纠纷时的实用主义逻辑。法律不再是抽象的原则,而是帝国维持暴力的合法性来源。 二、家庭的祭坛与公共的神龛 本书探究了罗马人精神生活的双重性:家庭内部对祖灵和炉灶之神的祭祀,与城邦层面对朱庇特、玛尔斯等官方神祇的敬畏。我们考察了“家庭祭司长”(Paterfamilias)的宗教权威,以及元老院中负责卜筮和献祭的祭司团(Pontifices)如何巧妙地将宗教仪式转化为政治工具。这不仅关乎信仰,更是对社会秩序的确认。 三、时间的刻度:日历与庆典的政治学 罗马人对时间的管理是高度政治化的。本书分析了尤利乌斯历法如何被用作记录功绩和规划选举的工具。我们详细描述了那些在一年中占据核心地位的公共节庆——从庄严的“进行曲”到狂野的“酒神祭”,这些庆典是如何在宏大的国家叙事与市民的个人情感之间架起桥梁,从而巩固帝国统治的。 --- 《帝国之影:罗马的日常与非凡》 承诺为读者提供一个立体、多维度的罗马世界。它揭示了那些在宏伟历史背景下被忽略的细节——一袋面粉的重量、一次审判的语气、以及在拥挤街道上的一次眼神交汇。这不是一部关于英雄的史诗,而是一部关于支撑英雄的庞大机器的深度研究。通过对物质、制度与精神的细致解构,本书重构了那个“永恒之城”在其权力巅峰时期的真实脉动。

作者简介

Christopher Bryan is the C. K. Benedict Professor of New Testament at the School of Theology, University of the South.

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