Originally published abroad in 1928, and unavailable in Britain until 1960 when it was the subject of an infamous obscenity trial, Lady Chatterley's Lover is now regarded as one of the pivotal novels of the 20th century. Lawrence's determination to explore every aspect—sexual, social, psychological—of Lady Chatterley's adulterous liaison with the gamekeeper Oliver Mellors makes for a profound meditation on the human condition, the forces of nature, and the social constraints that people struggle to overcome. Lawrence's final novel—here presented in the more explicit 1927 version which he described as "so improper that it'll never be printed"—confirms his standing as one of the most eminent fiction writers that England has produced.
David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.
我当初是为了提高一下自己的英语阅读水平去看的,因为这本书的名气太大,所以,在这之前,从来也没有想过要去看。 我推荐这本书的一个非常重要的原因是因为它的文字,非常优雅而流畅的文字,作者的思想的光芒在不经意的举手投足之间闪耀着不朽的光芒,经典之所以为经典,...
评分我一直对爱情故事有抵触情绪。觉得不过就那么点事,说一遍就差不多了,再怎么花样翻新也就是那点陈年旧事。除开这个不说,能让我坚持看完的书不多,能看两遍的书更少。我天生是个怀疑主义者,看书想的事比书上的字多,想来想去发现在这书里怎么也找不到我看它的初衷,慢慢的书...
评分关于文本的孰是孰非 纳博科夫曾经给好小说立下如此标竿: “在我以为,小说之所以存在,是因为它带给我(勉为其难地称之为)审美的福祉,一种不知怎么,不知何地,与存在的另一种状态相联系起来的感觉,艺术(好奇心、柔情、善意和迷狂)是那种状态的准则。” 纳博科夫以此...
评分这是一部非常非常美丽的小说,美丽得如同童话。它是文学描写中最动人的爱情之一了:富有灵性,激情跌宕。然而读懂的人大约并不多。 “接触之美是远比眼见之美更为生动和深刻的。”男女主人公是自然的儿女,他们敏感,细腻,超越了世俗的名利、地位的纷扰,感受着生命最本...
评分仅仅为了一个presentation我花了一个多星期读完的。很喜欢开头和结尾,表示能够totally understand Connie's love affairs.
评分The last and the best
评分宣道部分可略过。
评分原版好苦逼T^T
评分早年看见性,现在则看见反抗。其实这种让当事人隔绝了一切的装置和背景,令人把它当做porn看也不奇怪。奥威尔的 road to wigan pier ,福斯特的莫里斯,和查泰莱夫人是一脉相承的作品。
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