David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.
Originally published abroad in 1928, and unavailable in Britain until 1960 when it was the subject of an infamous obscenity trial, Lady Chatterley's Lover is now regarded as one of the pivotal novels of the 20th century. Lawrence's determination to explore every aspect—sexual, social, psychological—of Lady Chatterley's adulterous liaison with the gamekeeper Oliver Mellors makes for a profound meditation on the human condition, the forces of nature, and the social constraints that people struggle to overcome. Lawrence's final novel—here presented in the more explicit 1927 version which he described as "so improper that it'll never be printed"—confirms his standing as one of the most eminent fiction writers that England has produced.
我问他是否知道一个叫桃斯的地方,那个地方位于美国新墨西哥州圣塔菲市的东北面,距圣塔非100英里,名气不大,交通也不大便利。 我问他是否知道一个叫桃斯的地方,因为他告诉我,今年是他在美国居住的第20个年头。 我怕他听不懂我的话,于是用食指沾了一点杯中的咖啡在白色...
评分 评分这是一部非常非常美丽的小说,美丽得如同童话。它是文学描写中最动人的爱情之一了:富有灵性,激情跌宕。然而读懂的人大约并不多。 “接触之美是远比眼见之美更为生动和深刻的。”男女主人公是自然的儿女,他们敏感,细腻,超越了世俗的名利、地位的纷扰,感受着生命最本...
评分 评分如果以今时今日的“色情小说家”标准来衡量劳伦斯,他恐怕是很正经很古板的了——《查太莱夫人的情人》里不乏露骨的性描写,但这些段落都是经过精心安排穿插于小说中间的,直到小说第十章,男女主人公才慢慢开始他们的性关系,而查太莱夫人与狩猎人之间肉和灵的关系,在这些段...
哎呀呀有点啰嗦,精准留白那样讲故事不好吗,非要把道理说得熟烂透
评分早年看见性,现在则看见反抗。其实这种让当事人隔绝了一切的装置和背景,令人把它当做porn看也不奇怪。奥威尔的 road to wigan pier ,福斯特的莫里斯,和查泰莱夫人是一脉相承的作品。
评分DHL太懂女人,简直可怕
评分劳伦斯非得一个词连着说上两三遍才痛快
评分there is now no smooth way into future: but we go round, or scramble over obstacles. We got to live, no matter how many skies have fallen.
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