History of Violence

History of Violence pdf epub mobi txt 电子书 下载 2026

出版者:Macmillan USA
作者:Edouard Louis
出品人:
页数:224
译者:
出版时间:2018-6-19
价格:GBP 18.80
装帧:Hardcover
isbn号码:9780374170592
丛书系列:
图书标签:
  • 法国文学
  • 小说
  • 外国文学
  • 法国
  • 文学
  • Louis
  • Edouard
  • 暴力史
  • 犯罪
  • 心理惊悚
  • 黑色电影
  • 复仇
  • 道德
  • 家庭
  • 人性和罪恶
  • 动作
  • 剧情
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具体描述

History of Violence is international bestselling French author Edouard Louis’s autobiographical novel about surviving a shocking sexual assault and coping with the post-traumatic stress disorder of its aftermath.

On Christmas Eve 2012, in Paris, the novelist Édouard Louis was raped and almost murdered by a man he had just met. This act of violence left Louis shattered; its aftermath made him a stranger to himself and sent him back to the village, the family, and the past he had sworn to leave behind.

A bestseller in France, History of Violence is a short nonfiction novel in the tradition of Truman Capote’s In Cold Blood, but with the victim as its subject. Moving seamlessly and hypnotically between past and present, between Louis’s voice and the voice of an imagined narrator, History of Violence has the exactness of a police report and the searching, unflinching curiosity of memoir at its best. It records not only the casual racism and homophobia of French society but also their subtle effects on lovers, brothers and sisters, husbands and wives. It represents a great step forward for a young writer whose acuity, skill, and depth are unmatched by any novelist of his generation, in French or English.

作者简介

作者

爱德华·路易斯(Édouard Louis),原名艾迪·贝勒格勒,1992年出生于法国的庇卡底。21岁时,他创作了自传体小说《艾迪的告别》,该书以黑马之姿入选龚古尔文学奖和都柏林文学奖。《艾迪的自白》是他创作的第二部自传体小说,被法国媒体盛赞为“当代文学中最伟大的声音”之一。

译者

丁雪,毕业于华中科技大学法语专业。现专职从事翻译工作。

目录信息

读后感

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创伤后应激障碍( PTSD)是指个体经历、目睹或遭遇到一个或多个涉及自身或他人的实际死亡,或受到死亡的威胁,或严重的受伤,或躯体完整性受到威胁后,所导致的个体延迟出现和持续存在的精神障碍。《百度百科》 这是我读这本书脑海里的浮现出的第一印象,在这个世界上每分每秒...  

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创伤后应激障碍( PTSD)是指个体经历、目睹或遭遇到一个或多个涉及自身或他人的实际死亡,或受到死亡的威胁,或严重的受伤,或躯体完整性受到威胁后,所导致的个体延迟出现和持续存在的精神障碍。《百度百科》 这是我读这本书脑海里的浮现出的第一印象,在这个世界上每分每秒...  

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用户评价

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Better crazy than dead. I’ll never be able to see anybody happy ever again. I told her I chouldn’t stand to see unhappy faces either, it was as if their unhappiness were less authentic, less true, less profound, less real than my own. 大概看了几十页就去看话剧了,但它给我的更多。每一节的开头并不是大写一个字母而是大写半句话,这些大写可以连起来看。 It turned out that I don’t write in order to seek pleasure

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Better crazy than dead. I’ll never be able to see anybody happy ever again. I told her I chouldn’t stand to see unhappy faces either, it was as if their unhappiness were less authentic, less true, less profound, less real than my own. 大概看了几十页就去看话剧了,但它给我的更多。每一节的开头并不是大写一个字母而是大写半句话,这些大写可以连起来看。 It turned out that I don’t write in order to seek pleasure

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加上nonfiction这个标签的时候,很多话就封在口中说不出来了,我无法从技巧结构等方面来衡量一件从内里撕裂开而成为实在的事情

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纪实文学+陀思妥耶夫斯基式穷人;最让我震惊的一段便是男主为了息怒卡拜人cedar主动配合他的强奸……白左真是人间妖孽……

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Better crazy than dead. I’ll never be able to see anybody happy ever again. I told her I chouldn’t stand to see unhappy faces either, it was as if their unhappiness were less authentic, less true, less profound, less real than my own. 大概看了几十页就去看话剧了,但它给我的更多。每一节的开头并不是大写一个字母而是大写半句话,这些大写可以连起来看。 It turned out that I don’t write in order to seek pleasure

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