Media and the Cold War in the 1980s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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作者

Springer International Publishing AG

譯者

2018-11-2 出版日期

339 頁數

GBP 92.12 價格

Hardcover

叢書系列

9783319983813 圖書編碼

Media and the Cold War in the 1980s 在線電子書圖書標籤: 冷戰英文媒體曆史學

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發表於2024-11-26

Media and the Cold War in the 1980s 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Media and the Cold War in the 1980s 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Media and the Cold War in the 1980s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Media and the Cold War in the 1980s 在線電子書著者簡介

Henrik G. Bastiansen is Professor of Media Studies on the Faculty of Media and Journalism, Volda University College, Norway.

Martin Klimke is Vice Provost for Academic Policies and Governance and Associate Professor of History at New York University Abu Dhabi, United Arab Emirates.

Rolf Werenskjold is Professor of Media Studies on the Faculty of Media and Journalism, Volda University College, Norway.

Media and the Cold War in the 1980s 在線電子書著者簡介

Media and the Cold War in the 1980s 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Media and the Cold War in the 1980s 在線電子書圖書描述

The Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people—and for government leaders, a struggle to undermine their enemies’ ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan’s “Star Wars” program and Mikhail Gorbachev’s policy of glasnost captured the world’s attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic “Tank Man” image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War.

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