In these 49 elaborately staged photographs, Crewdson (Twilight) reveals his vision of America in lush and brooding images of dusk, each one bristling with atmosphere: a young boy stares at a naked woman standing in the open door of her trailer; a woman, observed through a motel window, looks at a baby sleeping on the bed; a man stands in a deserted intersection in the rain, his car door open behind him. Although Crewdson's work is frequently interpreted cinematically, and stylistic comparisons are drawn between him and David Lynch and Wes Anderson, in the book's preface, writer Banks argues that analogies to the movies do the photographer a disservice. According to Banks, looking at Crewdson's photographs resembles reading fiction more than anything else; it is not a passive experience (such as watching a movie) but an invitation to actively imagine alongside the artist. Crewdson's sets do boast the budgets and crew normally associated with movies, however, and this collection includes 23 extra pages of set drawings, location shots and images of the actors and props used to create the photographs—perfectly in keeping with a body of work that, as Banks states, tests the limits of realism while making no effort to disguise its artificiality.
具體描述
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用戶評價
Gregory Crewdson ，一個把擺拍發揮到極緻的攝影師，我覺得與其說是Staged Photography，其實更像是Cinematography。吐槽：他拍的照片怎麼有點陰森森的，尤其是室內場景，跟恐怖片裏馬上就要發生些什麼似的，，，
评分第一次知道 攝影可以像拍大片那樣精心搭建布景 選取演員 創造燈光 並進一步深入到編劇、室內設計、人工降雨等領域
评分人們睏在這一刻裏 沒有過去的準備 沒有未來的行動
评分第一次知道 攝影可以像拍大片那樣精心搭建布景 選取演員 創造燈光 並進一步深入到編劇、室內設計、人工降雨等領域
评分哪裏都有不同的夢
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