In a way, Candace Bushnell's Lipstick Jungle picks up where her career-defining book Sex and the City left off, in the money-soaked, power-hungry, beauty-obsessed jungle that is New York City. This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg 10 Second Interview: A Few Words with Candace Bushnell Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle."Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!Amazon.com's Significant SevenCandace Bushnell graciously agreed to answer the questions we like to ask every author: the Amazon.com Significant Seven. Q: What book has had the most significant impact on your life
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这本书的叙事节奏简直像纽约街头永不停歇的霓虹灯光,闪烁着机遇与陷阱交织的复杂光芒。我花了整整一个周末才啃完,感觉自己像刚从一场高强度的商业谈判中抽身而出,大脑还在嗡嗡作响。作者对权力斗争的刻画入木三分,那些在高层会议室里唇枪舌剑的场景,读起来比任何惊悚小说都来得刺激。你仿佛能闻到昂贵皮革座椅散发出的气息,感受到那些华尔街精英们内心深处对“赢”的偏执。尤其让我印象深刻的是,它并没有将女性角色简单地塑造成扁平化的“女强人”符号,而是深入挖掘了她们在职业野心与个人生活之间摇摆不定时的那种真实挣扎。那种在光鲜亮丽的表面下,必须时刻保持警惕、提防身边每一张笑脸的疲惫感,被描绘得淋漓尽致,让人感同身受。那些关于并购、对赌协议的细节处理得非常专业,即便是对商业不太熟悉的读者,也能通过流畅的对话和紧张的情节设置迅速跟上节奏,而不是被一堆术语卡住。总而言之,这是一部充满都市丛林气息的作品,读完后,你会忍不住审视一下自己周围的环境,思考一下,谁才是真正的猎人,谁又可能成为猎物。
评分老实说,我最初是被那个封面吸引的——那种充满侵略性的红色和黑色对比,带着一股不容置疑的都市气息。但真正让我沉浸进去的,是书中对“人性代价”的探讨。它并非一本轻松愉快的读物,它更像是一面冷峻的镜子,反射出现代社会中,为了攀登顶峰,人们愿意放弃多少原本珍视的东西。书中的几位核心人物,他们之间的关系错综复杂,充满了试探、背叛和短暂的联盟,如同棋盘上的残局,每一步都关乎存亡。我特别喜欢作者在描述角色内心挣扎时所采用的细腻笔触,那种“必须做出选择,但无论选哪条路都会有遗憾”的宿命感,让人在掩卷之后仍久久不能平静。这不是那种一味歌颂成功的作品,它毫不留情地撕开了光鲜亮丽背后的那些牺牲品——错失的亲情、被漠视的健康,甚至是逐渐麻木的良知。阅读过程中,我好几次不得不停下来,去喝杯水,整理一下自己的思绪,因为那种强烈的代入感,让我几乎感觉自己也在那个高压环境中喘息。这本书的深度,远超一般所谓的“职场小说”。
评分这本书的语言风格,用一个词来形容就是“犀利”。它不像一些主流小说那样试图迎合大众的阅读习惯,而是带着一种知识分子的傲慢和洞察力,直击问题的核心。每一次对话都充满了言外之意,空气中弥漫着紧张感,你需要非常专注地去捕捉那些未说出口的威胁和承诺。我特别喜欢作者对场景的细致描摹,无论是曼哈顿顶层公寓的极简主义设计,还是华尔街会议室里那种压抑的寂静,都为故事的基调奠定了坚实的基础。它成功地营造了一种“高处不胜寒”的氛围,让你清晰地感受到那些站在顶端的人,他们必须付出的精神维护成本是多么巨大。阅读体验是持续的、令人兴奋的,像是在看一场永远不会结束的、关于生存和统治的戏剧。我向所有对复杂人性、高风险博弈和现代都市生活感兴趣的朋友们强烈推荐,但请准备好,这不是一本能让你轻松入睡的故事。
评分读完此书,我感觉自己仿佛上了一堂极其生动、且代价高昂的领导力课程。它展示了权力是如何运作的——它不是通过简单的命令下达,而是通过影响他人的感知和期望来实现的。书中的几场关键的权力倾轧戏码,简直是教科书级别的范例。我尤其欣赏作者如何平衡“宏大叙事”(公司命运、行业洗牌)和“微观情感”(角色之间的嫉妒、友谊与背叛)。这种平衡让故事既有史诗般的张力,又不失人性的温度和可信度。我必须承认,有些角色的冷酷无情让我感到不适,但正是这种真实性,让这部作品超越了简单的娱乐范畴。它迫使读者去思考,在追逐“一切”的过程中,我们对自己和他人的标准,究竟应该设在哪里。它不是一本告诉你如何成功的书,而是一本告诉你,成功需要付出何种代价的书。
评分这本小说的魅力在于它的“残酷美学”。叙事视角在不同的顶级女性领导者之间快速切换,仿佛一个高速运转的万花筒,每一次转动都呈现出新的、令人眼花缭乱的图案。我想,大部分人都会对她们那种近乎完美的外表、无可挑剔的衣着品味感到好奇,但作者并没有止步于此。她深入挖掘了这种完美是如何被层层伪装和不懈努力所构建起来的。你会看到她们如何利用每一次社交晚宴,如何将一句无心之言转化为商业武器,那种精于算计的智慧,既令人钦佩,又让人感到一丝寒意。我个人对其中关于企业文化重塑的那一部分内容格外感兴趣,它揭示了大型机构是如何像有机体一样,既能自我修复,又能无情地淘汰那些跟不上节奏的个体。文字的密度很高,信息量巨大,但得益于作者高超的叙事技巧,使得即便是那些晦涩的商业术语,也被巧妙地融入了角色对话和冲突之中,读起来流畅自然,毫无阻滞感。
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