In the Dream House 在线电子书 图书标签:
发表于2025-02-02
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"Dream House as Choose Your Own Adventure". No matter what you choose though, you're trapped in this abusive relationship and there's no lighter alternative. Carmen Maria Machado is brilliant.
评分Fine
评分作者说她在湾区的dating不成功因为“Bay Area lesbians are pretty testy about the whole bisexuality thing”. ( ̄▽ ̄)”我只觉得湾区人好敏锐!!附注里面说到女权主义理论一直不愿正视les伴侣中存在的暴力和虐待,越是要么对虐待现象视而不见,要么试图把虐待者从”真女人“群体中划分出去,说这些人之所以虐待伴侣是因为她们的内心被男性气质污染了。作者呼吁不要把les关系宣传成乌托邦,les也是人,也有人的阴暗面和劣根性,正视les中的家暴现象,承认受害者遭受的创伤和虐待是真实的,法律对家暴受害者的保护才会惠及les群体。
评分Memoir的解构写法。更可贵的是对queer群体(尤其lesbian)内的亲密关系暴力的描绘。回顾自身经历的同时,更是对二次深柜的沉默赋予讲述的语言。
评分今年最爱 结构实验+语言美(爱人的触摸就像小孩子第一次用自己的钱买东西似的)+ lesbian abusive relationship + 相关史料 / pop quiz那一小节我被辱骂得好爽 / 还refer了The Price of Salt和Mrs Dalloway!
Carmen Maria Machado is the author of the memoir In the Dream House and the short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."
Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Harper’s Bazaar, Tin House, VQR, Conjunctions, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife.
In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.
Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
In the process of recounting her experience in an abusive lesbian relationship, the author occasionally cites a folklore motif in the footnote, suggesting a particular episode of her story has overlap with a common folkloric paradigm. The book is an authent...
评分First of all I view this book as a fairy tale containing many modern elements. So it does have a traditional fairy tale background, where a women who is rather imperfect and vulnerable meets a gorgeous---- mostly man in other stories----woman. It reminds me...
评分First of all I view this book as a fairy tale containing many modern elements. So it does have a traditional fairy tale background, where a women who is rather imperfect and vulnerable meets a gorgeous---- mostly man in other stories----woman. It reminds me...
评分In the process of recounting her experience in an abusive lesbian relationship, the author occasionally cites a folklore motif in the footnote, suggesting a particular episode of her story has overlap with a common folkloric paradigm. The book is an authent...
评分开篇她写,有一个概念archival silence. 档案记录的沉默与空白,一些个体和群体的经验在这种空白里消失,被清除、忽视、遗忘:这种沉默是一种语言的失去。 Carmen Maria Machado是我最喜欢的当代短篇小说家之一。这一本回忆录围绕她遭遇的来自自己同性伴侣的暴力——她把这段关...
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