The Asakusa quarter of Tokyo has a shady past--it was the home of some of Japan's most notorious pleasure palaces. Today it embraces this history by remaining a steadfast holdout of independent culture, which encompasses traditional comedy theater and some of the most innovative burlesque in the world. Asakusa has long attracted bohemians who opt out of Japan's contemporary consumer society, yet it is also home to the famous Senso-ji temple, which attracts floods of tourists. Over the past two decades, Hiroh Kikai has created an extensive and unforgettable series of street portraits from the diverse mass of people who pass through the district. Posed against the stark walls of the temple, his portraits of Asakusa's iconoclasts radiate a sense of hard-won individuality. The photographs are accompanied by Kikai's own pithy commentary.
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人之趣
评分跟练练在ゴールデン街一家酒吧里被老奶奶推荐这个摄影师，一遍喝着酒一遍翻完了这本影集。直到今天读鷲田清一的『顔の現象学』，里面提到现代社会“脸”的过剩——广告、传单、屏幕——是一种对于“脸（身份）”的彻底抛弃，而人像snap则，用他的话「それは顔の純粋現象である。」看到这里，想起了在酒吧里翻看的鬼海的影集。
评分"眼神摄人的阿伯" ＂戴四只手表的男人＂＂舞踏演者＂＂让我想起6月20是海洋日的女人＂... 平凡的人们，有趣极了。
评分浅草寺下一红墙
评分只在浅草寺的一面红墙下拍。形式简单强烈，难度高。
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