The Asakusa quarter of Tokyo has a shady past--it was the home of some of Japan's most notorious pleasure palaces. Today it embraces this history by remaining a steadfast holdout of independent culture, which encompasses traditional comedy theater and some of the most innovative burlesque in the world. Asakusa has long attracted bohemians who opt out of Japan's contemporary consumer society, yet it is also home to the famous Senso-ji temple, which attracts floods of tourists. Over the past two decades, Hiroh Kikai has created an extensive and unforgettable series of street portraits from the diverse mass of people who pass through the district. Posed against the stark walls of the temple, his portraits of Asakusa's iconoclasts radiate a sense of hard-won individuality. The photographs are accompanied by Kikai's own pithy commentary.
具體描述
讀後感
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用戶評價
"眼神攝人的阿伯" ＂戴四隻手錶的男人＂＂舞踏演者＂＂讓我想起6月20是海洋日的女人＂... 平凡的人們 有趣極瞭
评分"眼神攝人的阿伯" ＂戴四隻手錶的男人＂＂舞踏演者＂＂讓我想起6月20是海洋日的女人＂... 平凡的人們，有趣極瞭。
评分"眼神攝人的阿伯" ＂戴四隻手錶的男人＂＂舞踏演者＂＂讓我想起6月20是海洋日的女人＂... 平凡的人們 有趣極瞭
评分"眼神攝人的阿伯" ＂戴四隻手錶的男人＂＂舞踏演者＂＂讓我想起6月20是海洋日的女人＂... 平凡的人們 有趣極瞭
评分"眼神攝人的阿伯" ＂戴四隻手錶的男人＂＂舞踏演者＂＂讓我想起6月20是海洋日的女人＂... 平凡的人們，有趣極瞭。
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