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Arthur C. Danto is the Johnsonian Professor of Philosophy Emeritus at Columbia University and art critic for The Nation. He is the author of more than fifteen books, including Narration and Knowledge, The Transfiguration of the Commonplace, The Philosophical Disenfranchisement of Art, After the End of Art, The Abuse of Beauty, and most recently Unnatural Wonders: Essays from the Gap Between Art and Life.
Robert Enright is the senior contributing editor to Border Crossings magazine and the University Research Chair in Art Criticism at the University of Guelph. He has published a collection of interviews with contemporary artists in Peregrinations and has contributed essays to museum catalogs and other publications. In 2005, he was made a Member of the Order of Canada.
Steve Martin is the famed American actor and writer. He is the author of Picasso at the Lapin Agile and Other Places, the novellas Shopgirl and The Pleasure of My Company, and the memoir Born Standing Up: A Comic's Life. He is also a frequent contributor to The New Yorker.
- 畫冊
- Eric_Fischl
- 藝術
- 油畫
- 弗蘭剋·奧爾巴赫:素描大師的成長
- 掏心窩子
- 當代藝術
- 二建
Eric Fischl emerged in the 1980s as one of America's most important figurative painters. His paintings, many of which show a single intense moment, compel the viewer to participate in a world of middle-class suburban ambiguity and drama. In Fischl's engaging distinctly American canvases, narrative, morality, sexuality, and psychology are preeminent.
This volume, an expanded edition of Eric Fischl 1970-2000, is the most comprehensive examination of this important contemporary painter. More than 250 works, selected in conjunction with the artist, present the full scope of Fischl's career: the formative work of the 1970s; the breakthrough paintings of the 1980s, including the controversial Sleepwalker and Bad Boy; and the mature work, often of a personal and contemplative nature, of the 1990s and 2000s. In his most recent paintings, Fischl has turned to multipiece cycles: The Bed, The Chair series, starting with The Philosopher's Chair; canvases inspired by trips to Italy and India; and the paintings—Fischl terms them "narrative fictions"—of the "Krefeld Project." These engrossing images have been accomplished with a mastery that has been compared to that of Caravaggio.
The introduction, by philosopher and critic Arthur C. Danto, offers a perceptive study of Fischl's work over the course of four decades. Commentary drawn from interviews with the artist, conducted by noted writer Robert Enright, accompanies the paintings. Finally, a witty and personal afterword by Steve Martin, best known as a gifted comic actor and author, but also an astute collector of modern art, discusses Barbeque, a famed Fischl painting from his private collection.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
有寓意的敘事
评分很喜歡的畫傢
评分他想說,他的作品的中心是一個人麵對一生中富有深切感受的事情時所經曆過的尷尬和自我意識的感情。這些經曆,諸如死亡、失敗或性愛,否認它們意味著不可或求的生活方式,這些已經破損的結構，讓所謂符號不能再編織適體外衣的文化來驗證。人們真不知道怎麼做;每一件新事都在我們心中充入瞭與我們在夢中發現自己赤身露體於大庭廣眾之下時所感受到的完全相同的焦慮。
评分買的第一本外文原版畫冊，獻給我如今最愛的畫傢
评分他想說,他的作品的中心是一個人麵對一生中富有深切感受的事情時所經曆過的尷尬和自我意識的感情。這些經曆,諸如死亡、失敗或性愛,否認它們意味著不可或求的生活方式,這些已經破損的結構，讓所謂符號不能再編織適體外衣的文化來驗證。人們真不知道怎麼做;每一件新事都在我們心中充入瞭與我們在夢中發現自己赤身露體於大庭廣眾之下時所感受到的完全相同的焦慮。
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