Architecture and Cubism 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Architecture and Cubism

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Eve Blau, Nancy J. Troy 作者
The MIT Press
译者
2002 出版日期
364 页数
USD 32.95 价格
Paperback
丛书系列
9780262523288 图书编码

Architecture and Cubism 在线电子书 图书标签: 建筑  建筑理论  architecture+history  architecture  设计  英文原版  城市  Design   


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Architecture and Cubism 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Architecture and Cubism 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Architecture and Cubism 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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这本书有几篇文章写得很糟糕,那篇写柯布西耶的文章我在翻译都不好意思拿出来,引了几段很无聊的谈话,接下来说萨弗伊别墅“让参观者不知身在何处”,居然就同电影镜头联系起来了,如果你说类似中国园林“移步换景”我还勉强可以接受。

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这本书有几篇文章写得很糟糕,那篇写柯布西耶的文章我在翻译都不好意思拿出来,引了几段很无聊的谈话,接下来说萨弗伊别墅“让参观者不知身在何处”,居然就同电影镜头联系起来了,如果你说类似中国园林“移步换景”我还勉强可以接受。

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浅撸了一遍

Architecture and Cubism 在线电子书 著者简介

Eve Blau is Lecturer in Architecture at the Graduate School of Design, Harvard University.

Nancy J. Troy is Chair of the Art History Department at the University of Southern California.


Architecture and Cubism 在线电子书 图书目录


Architecture and Cubism 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Architecture and Cubism 在线电子书 图书描述

A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at that widely accepted but little scrutinized belief. In the first historically focused examination of the issue, the volume returns to the original site of cubist art in pre-World War I Europe and proceeds to examine the historical, theoretical, and socio-political relationships between avant-garde practices in painting, architecture, and other cultural forms, including poetry, landscape, and the decorative arts. The essays look at works produced in France, Germany, the Netherlands, and Czechoslovakia during the early decades of the twentieth century.

Together, the essays show that although there were many points of intersection—historical, metaphorical, theoretical, and ideological—between cubism and architecture, there was no simple, direct link between them. Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage. Cubist space itself remained two-dimensional; with the exception of Le Cobusier's work, it was never translated into the three dimensions of architecture. Cubism's significance for architecture also remained two-dimensional—a method of representing modern spatial experience through the ordering impulses of art.

Copublished with the Canadian Centre for Architecture/Centre Canadien d'Architecture

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