The Cinema of Naruse Mikio 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Cinema of Naruse Mikio

简体网页||繁体网页
Catherine Russell 作者
Duke University Press Books
译者
2008-8-18 出版日期
488 页数
USD 28.95 价格
Paperback
丛书系列
9780822343127 图书编码

The Cinema of Naruse Mikio 在线电子书 图书标签: 电影书  电影  日本  成瀬巳喜男  電影  社会  电影大师研究  日本电影研究   


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发表于2024-11-22


The Cinema of Naruse Mikio 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Cinema of Naruse Mikio 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Cinema of Naruse Mikio 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Cinema of Naruse Mikio 在线电子书 用户评价

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資料非常豐富,但不是特別有洞見。

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資料非常豐富,但不是特別有洞見。

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成濑的美学不适合用西方主流电影美学思想那套方法论去阐释,所以写他的书不多,质量也一般。这本不算特别有见地,副标题就看得出了,但资料算比较全面的。

评分

成濑的美学不适合用西方主流电影美学思想那套方法论去阐释,所以写他的书不多,质量也一般。这本不算特别有见地,副标题就看得出了,但资料算比较全面的。

评分

成濑的美学不适合用西方主流电影美学思想那套方法论去阐释,所以写他的书不多,质量也一般。这本不算特别有见地,副标题就看得出了,但资料算比较全面的。

The Cinema of Naruse Mikio 在线电子书 著者简介


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The Cinema of Naruse Mikio 在线电子书 图书描述

One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. Yet little has been written about Naruse in English; nor has much of the writing about him in Japanese been translated into English. With "The Cinema of Naruse Mikio", Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s. Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were 'women's films.' They had female protagonists, and they depicted women's passions, disappointments, routines, and living conditions. While neither Naruse nor his audiences identified themselves as 'feminist,' his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse's cinema, a comprehensive study of the director demands an innovative and interdisciplinary critical approach. Russell draws on the critical reception of Naruse in Japan, in addition to the cultural theory of H. D. Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse's movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

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