For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement.
The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China’s literary past.
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2019.10 soas，reading
评分2019.10 soas，reading
评分这本书提出的问题最有趣。一，李欧梵－不完整的现代性；二，宇文所安－文学史写法延用五四“定规”；三，余英时－胡适的五四及CCP的五四及五四。
评分2019.10 soas，reading
评分这本书提出的问题最有趣。一，李欧梵－不完整的现代性；二，宇文所安－文学史写法延用五四“定规”；三，余英时－胡适的五四及CCP的五四及五四。
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