Born to a family of Russian intelligentsia in 1892 and coming of age in the crucible of revolution and war, Tsvetaeva has been seen as a victim of her politicized time, her life and her work marked by exile, neglect, and persecution. This book is the first to show us the poet as she discovered her life through art, shaped as much by inner demons as by the political forces and harsh realities of her day. With remarkable psychological and literary subtlety, Lily Feiler traces these demons through the tragic drama of Tsvetaeva's life and poetry. Hers is a story full of contradictions, resisting social and literary conventions but enmeshed in the politics and poetry of her time. Feiler depicts the poet in her complex relation to her contemporaries - Pasternak, Rilke, Mayakovsky, Mandelshtam, and Akhmatova. She shows us a woman embodying the values of nineteenth-century romanticism, yet radical in her poetry, supremely independent in her art, but desperate for appreciation and love, simultaneously mother and child in her complicated sexual relationships with men and women. Here we see the poet who could read her work glorifying the White Army to an audience of Red Army men, the woman who, with her husband a Soviet agent in Paris, could write a long poem about the execution of the last Tsar.
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茨生活中的苦楚更像浊流无声同时凭借强力变得合理，作者知道描述是没有价值的，只应该听她自己说话
评分茨生活中的苦楚更像浊流无声同时凭借强力变得合理，作者知道描述是没有价值的，只应该听她自己说话
评分茨生活中的苦楚更像浊流无声同时凭借强力变得合理，作者知道描述是没有价值的，只应该听她自己说话
评分I think i have loved more than life, a feeling of uyut. It has irretrievably gone out of my life.
评分茨生活中的苦楚更像浊流无声同时凭借强力变得合理，作者知道描述是没有价值的，只应该听她自己说话
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