Through careful analysis of Jack Kerouac's "On the Road," Omar Swartz argues that Kerouac's influence on American society is largely rhetorical. Kerouac's significance as a cultural icon can be best understood, Swartz asserts, in terms of traditional rhetorical practices and principles. To Swartz, Kerouac is a rhetor who symbolically reconstructs his world and offers arguments and encouragements for others to follow. Swartz proposes that "On the Road "constitutes a "rhetorical vision," a reality-defining discourse suggesting alternative possibilities for growth and change. Swartz asserts that the reader of Kerouac's "On the"" "Road" "becomes capable of responding to the larger, confusing culture in a strategic manner. Kerouac's rhetorical vision of an alternative social and cultural reality contributes to the identity of localized cultures within the United States.
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跟on the road直接相關的內容不太有說服力啊。關於rhetoricians對於社會共同體的建立的作用啦,fantasy theme analysis啦等等的論述還是不錯的,不過這些都是引述彆人的理論……
评分跟on the road直接相關的內容不太有說服力啊。關於rhetoricians對於社會共同體的建立的作用啦,fantasy theme analysis啦等等的論述還是不錯的,不過這些都是引述彆人的理論……
评分跟on the road直接相關的內容不太有說服力啊。關於rhetoricians對於社會共同體的建立的作用啦,fantasy theme analysis啦等等的論述還是不錯的,不過這些都是引述彆人的理論……
评分跟on the road直接相關的內容不太有說服力啊。關於rhetoricians對於社會共同體的建立的作用啦,fantasy theme analysis啦等等的論述還是不錯的,不過這些都是引述彆人的理論……
评分跟on the road直接相關的內容不太有說服力啊。關於rhetoricians對於社會共同體的建立的作用啦,fantasy theme analysis啦等等的論述還是不錯的,不過這些都是引述彆人的理論……
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