Great Perfection

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出版者:University of Hawaii Press
作者:Terry F. Kleeman
出品人:
页数:251
译者:
出版时间:1997-12-1
价格:USD 41.00
装帧:Hardcover
isbn号码:9780824818005
丛书系列:
图书标签:
  • 道教
  • 祁泰履
  • 海外中国研究
  • 汉学
  • 道教研究
  • 海外汉学
  • 修行
  • 密宗
  • 大圆满
  • 佛教
  • 哲学
  • 灵性
  • 自我提升
  • 冥想
  • 智慧
  • 觉醒
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具体描述

The Sichuan region has long been the focus of Terry Kleeman's work. His first book, A God's Own Tale (SUNY Press, 1994), told the story of the development of a local Sichuanese snake spirit into the national god of literature, Wenchang. In the present book, Kleeman addresses a little-known chapter in the history of Sichuan: its independent statehood in the first half of the fourth century under the name of Da Cheng, "Great Perfection." He presents us with a careful study of the Cheng state, and the roles played by ethnicity and Daoism in its founding. Cheng seceded from the tumultuous Jin empire in 302 and maintained an independent existence in the Sichuan region for 45 years before being forcibly brought back under Jin rule, Daoism enters the picture by virtue of the fact that the Cheng state's founders, the Li family, had a strong Daoist background. Their ancestors had been members of the Celestial Master Church that had established a Daoist state in the Hanzhong region of northeastern Sichuan during the tw ilight years of the Eastern Han dynasty. When their state was conquered in 215, many adherents of the church were scattered throughout China, among them a man called Li Hu, who led a group of five hundred families northwest to settle in what is now southern Shaanxi province. The reference to "ethnicity" in the book's title is due to the fact that the Li were not ethnic Chinese, but Banshun Man ("Board-shield Man barbarians"), who were part of the larger ethnic category of the Ba. When in the 290s their new homeland was rendered uninhabitable by famine, warfare, and epidemics, Li Hu's descendants led another wave of refugees back to the Hanzhong area, where they were faced with resistance from the local elites. Calling upon old religious and ethnic loyalties, they fought back and by 302 had developed into a full-fledged rebel movement. After its first leader Li Te's death in battle in 303, his son Li Xiong took over. Building upon his father's successes, he widened the rebels' sphere of control until in 306 he formally inaugurated the state of "Great Perfection," with himself as emperor. The chaotic situation in central China at the time made Sichuan appear a secondary concern to a Jin dynasty weakened internally by internecine strife and threatened externally by the invading Xiongnu. Taking advantage of the power vacuum in western China, Cheng expanded until it controlled from its capital Chengdu a sizeable territory stretching over eight hundred kilometers east to west and over nine hundred kilometers north to south. Under the less than brilliant successors of Li Xiong, who died in 334, Cheng (now renamed Han) survived for another thirteen years before being subjugated by the Jin general Huan Wen in 347.

About half of the book, contained in Part 2, is taken up by a meticulous annotated translation of the available sources on the history of this ephemeral state, principally the relevant chapters from the official history of the Jin dynasty, supplemented by the "Record of the Land of Huayang" (Huayangguo zhi), a fourth-century chronicle written by the former Cheng official Chang Qu. The other half (Part 1) consists of four chapters that provide an extensive contextualization for the translated documents. Chapter 1, "Ethnicity and Identity," looks at the ethnic history and prehistory of Sichuan in considerable detail, paying particular attention to the Ba. Chapter 2, "Religion," describes the emergence of the Celestial Master movement in the millennial climate of the late Han dynasty, gives an excellent sketch of the movement's organization and history, and outlines the impact of Celestial Master Daoism on the Cheng state. Chapter 3, "History," places the Sichuanese events within the greater context of Chinese history from the middle of the third to the middle of the fourth century. Finally, Chapter 4, "Sources of Cheng History," takes stock of the source materials on Chen and discusses their editorial history.

All of this adds up to an exhaustive treatment of the chosen topic--exhaustive, and at times exhausting to the reader. One reason for the painstaking character in the chapters on ethnicity and religion maybe that Kleeman considers these two factors important in the history of Cheng, even though they are downplayed by the historiographical bias of the official sources at his disposal. Therefore Kleeman has to bring them in through the back door, so to say: as a background understanding in light of which the sources should be read, allowing the reader to fill in their silences. Hence the great care and attention given to the construction of ethnicity and religion as shaping factors of the destiny of Cheng, factors that are not evident from the sources alone. Without this background knowledge, we would not be able to gauge the true meaning of key events in Cheng history. To use religion as an example, the support given the Lis at a critical juncture by the leader of a Daoist community becomes understandable whe n we are aware of the Lis' own Daoist heritage, and specific government policies of the first Cheng emperor Li Xiong make more sense when we see them as concrete applications of Daoist principles. Kleeman's argument about the importance of religion and ethnicity in the history of Cheng is impossible to prove conclusively from the sources, given their nature, but he patiently builds a plausible case. In doing so, he achieves an extremely high degree of contextualization, but at the same time he continuously runs the risk of overtaxing his reader's patience. Chapter 1, for example, is a fascinating overview of ethnic history and ethnic relations in Sichuan from prehistorical times to the fourth century, but its wealth of detail seems out of proportion to its eventual contribution to our understanding of Cheng history. To be sure, it is important to know the Ba ethnicity of the Cheng dynastic founders insofar as it throws light on some of the alliances they were able to forge with other non-Chinese forces. But d oes it really add much to our understanding when the author discusses at length the etymology of the Chinese character "Shu" (the ancient name for Sichuan), or when he examines in detail (including long translated excerpts from the Zuozhuan) the interactions of Ba with Zhou period feudal states? The resulting surfeit of contextual detail is all the more difficult to digest as the reader at this point does not yet have a clear idea what it is all leading up to. The author provides some links to the events surrounding the founding of Cheng, but sometimes they add more confusion than they resolve because they assume knowledge of specific events that are only introduced later in the book. In spite of such minor irritants, the persistent reader will be compensated in the end with insights into the often underestimated roles of religion and ethnicity in Chinese history. Add to this the superb editing provided by the University of Hawai'i Press, with Chinese characters inserted both in the main text and in the index , and this book will be a rewarding, if demanding, read for any student of medieval Chinese society.

About half of the book, contained in Part 2, is taken up by a meticulous annotated translation of the available sources on the history of this ephemeral state, principally the relevant chapters from the official history of the Jin dynasty, supplemented by the "Record of the Land of Huayang" (Huayangguo zhi), a fourth-century chronicle written by the former Cheng official Chang Qu. The other half (Part 1) consists of four chapters that provide an extensive contextualization for the translated documents. Chapter 1, "Ethnicity and Identity," looks at the ethnic history and prehistory of Sichuan in considerable detail, paying particular attention to the Ba. Chapter 2, "Religion," describes the emergence of the Celestial Master movement in the millennial climate of the late Han dynasty, gives an excellent sketch of the movement's organization and history, and outlines the impact of Celestial Master Daoism on the Cheng state. Chapter 3, "History," places the Sichuanese events within the greater context of Chinese history from the middle of the third to the middle of the fourth century. Finally, Chapter 4, "Sources of Cheng History," takes stock of the source materials on Chen and discusses their editorial history.

All of this adds up to an exhaustive treatment of the chosen topic--exhaustive, and at times exhausting to the reader. One reason for the painstaking character in the chapters on ethnicity and religion maybe that Kleeman considers these two factors important in the history of Cheng, even though they are downplayed by the historiographical bias of the official sources at his disposal. Therefore Kleeman has to bring them in through the back door, so to say: as a background understanding in light of which the sources should be read, allowing the reader to fill in their silences. Hence the great care and attention given to the construction of ethnicity and religion as shaping factors of the destiny of Cheng, factors that are not evident from the sources alone. Without this background knowledge, we would not be able to gauge the true meaning of key events in Cheng history. To use religion as an example, the support given the Lis at a critical juncture by the leader of a Daoist community becomes understandable whe n we are aware of the Lis' own Daoist heritage, and specific government policies of the first Cheng emperor Li Xiong make more sense when we see them as concrete applications of Daoist principles. Kleeman's argument about the importance of religion and ethnicity in the history of Cheng is impossible to prove conclusively from the sources, given their nature, but he patiently builds a plausible case. In doing so, he achieves an extremely high degree of contextualization, but at the same time he continuously runs the risk of overtaxing his reader's patience. Chapter 1, for example, is a fascinating overview of ethnic history and ethnic relations in Sichuan from prehistorical times to the fourth century, but its wealth of detail seems out of proportion to its eventual contribution to our understanding of Cheng history. To be sure, it is important to know the Ba ethnicity of the Cheng dynastic founders insofar as it throws light on some of the alliances they were able to forge with other non-Chinese forces. But d oes it really add much to our understanding when the author discusses at length the etymology of the Chinese character "Shu" (the ancient name for Sichuan), or when he examines in detail (including long translated excerpts from the Zuozhuan) the interactions of Ba with Zhou period feudal states? The resulting surfeit of contextual detail is all the more difficult to digest as the reader at this point does not yet have a clear idea what it is all leading up to. The author provides some links to the events surrounding the founding of Cheng, but sometimes they add more confusion than they resolve because they assume knowledge of specific events that are only introduced later in the book. In spite of such minor irritants, the persistent reader will be compensated in the end with insights into the often underestimated roles of religion and ethnicity in Chinese history. Add to this the superb editing provided by the University of Hawai'i Press, with Chinese characters inserted both in the main text and in the index , and this book will be a rewarding, if demanding, read for any student of medieval Chinese society.

《苍穹回响》 序章:星尘之歌 在宇宙深邃的寂静中,时间仿佛失去了意义。亿万年的光阴如同一粒粒流沙,悄无声息地滑过,孕育着无尽的可能。在这广袤无垠的黑暗画布上,星辰以其古老而炽热的光芒,描绘出一幅幅壮丽的画卷。然而,在这宏大的宇宙交响曲中,总有那么几个微小的音符,却能激荡起最深刻的共鸣,触及灵魂最柔软的角落。 故事,始于一颗被遗忘的星球——艾瑞尔。这颗星球,不像那些拥有璀璨文明或奇特地貌的星球一样,在星图上留下浓墨重彩的印记。它安静地漂浮在星系的边缘,沐浴着微弱的恒星光芒,生活着一群与自然和谐共处的生灵。他们以一种朴素而纯粹的方式,感知着宇宙的脉搏,理解着生命的真谛。 在艾瑞尔,有一个年轻的女子,名叫莉亚。她的眼睛如同最澄澈的星空,里面闪烁着对未知的好奇与对生命的眷恋。莉亚并非凡俗之人,她的血脉中流淌着一种古老的传承,一种能够与星球的生命力沟通的能力。她能感受到植物的低语,能聆听到石头的呼吸,更能理解风儿带来的遥远讯息。然而,这种能力,在艾瑞尔这个平静的星球上,显得有些微不足道,甚至被一些人视为不切实际的幻想。 然而,一股潜藏的危机,如同无声的潮汐,正悄然逼近。艾瑞尔的生命之源——一颗古老的、散发着柔和光芒的能量水晶——开始出现衰竭的迹象。这颗水晶,维系着整个星球的生态平衡,它的衰弱,预示着艾瑞尔即将走向灭亡。星球上的长老们忧心忡忡,他们尝试了各种古老的方法,却收效甚微。绝望,如同寒冷的星风,开始在人们心中蔓延。 就在这时,莉亚的感知变得异常敏锐。她听到了水晶微弱的哀鸣,感受到了星球深处传来的痛苦。她意识到,这并非一场普通的能量衰竭,而是一种更深层次的“失衡”。一种源于宇宙深处,却又与艾瑞尔的命运息息相关的失衡。 第一章:遗落的旋律 莉亚的预感,在一次偶然的发现中得到了印证。在一个风雨交加的夜晚,她在星球边缘的一处古老洞穴中,发现了一块刻满奇异符号的石板。这些符号,并非艾瑞尔任何已知的文字,却散发着一种古老而强大的气息。凭借着与生俱来的感知力,莉亚惊奇地发现,这些符号仿佛在向她诉说着一个古老的故事,一个关于“宇宙之歌”的故事。 “宇宙之歌”,并非真正意义上的声音,而是一种流淌在宇宙万物之间的能量律动。当这种律动和谐一致时,宇宙万物便生机勃勃,充满活力。而当律动失衡时,便会引发各种灾难,甚至导致生命的凋零。莉亚意识到,艾瑞尔的危机,正是这种“宇宙之歌”失衡的体现。 石板上记载着,在遥远的过去,曾有一种古老的文明,他们掌握着调和“宇宙之歌”的方法。他们曾建造了一个巨大的“共鸣之塔”,通过共鸣之塔,能够与宇宙的本源律动产生连接,从而维持宇宙的和谐。然而,随着时间的推移,这个文明消失了,共鸣之塔也随之被遗忘,埋藏在星际的尘埃之中。 莉亚的心中燃起了希望。她相信,寻找并修复这个共鸣之塔,是拯救艾瑞尔的唯一途径。但她知道,这并非易事。石板上的线索模糊不清,指向的星域也充满了未知与危险。更重要的是,她只是一个艾瑞尔的普通女子,如何才能踏上这注定孤独而艰辛的旅程? 在长老们的质疑和族人的担忧中,莉亚做出了一个大胆的决定。她要离开艾瑞尔,去寻找那座传说中的共鸣之塔。她带上了石板,以及对家园深沉的爱,踏上了未知的征途。她的离去,为艾瑞尔带来了短暂的希望,也为她自己的人生,谱写了新的篇章。 第二章:星际的孤旅 莉亚的旅程,充满了 unforeseen 挑战。她利用艾瑞尔仅有的几艘简陋的飞船,开始了漫无目的的星际漂流。在浩瀚的宇宙中,她显得如此渺小,孤独是她唯一的伴侣。她经历了能量风暴的肆虐,躲避了小行星带的撞击,甚至险些被黑洞的引力吞噬。 然而,在这艰难的旅程中,莉亚也在不断地成长。她学会了如何操控飞船,如何在极端环境下生存,更重要的是,她与宇宙的连接变得更加紧密。她能够通过感知,避开危险,甚至在最绝望的时候,感受到来自星辰的微弱指引。 在一次偶然的机会,她发现了一艘废弃的古老飞船。这艘飞船的科技水平远超艾瑞尔,它拥有先进的导航系统和能量护盾。更重要的是,莉亚在飞船的数据库中,发现了一些关于“宇宙之歌”更详细的记载。她得知,调和“宇宙之歌”并非仅仅是修复共鸣之塔,更重要的是,要找到并唤醒隐藏在宇宙各处的“和谐节点”。这些和谐节点,是“宇宙之歌”能量的汇聚点,它们彼此呼应,共同维系着宇宙的平衡。 莉亚的旅程,从漫无目的的漂流,转变为有目的的搜寻。她根据飞船数据库中的线索,开始在星图上寻找那些可能存在的和谐节点。她穿越了色彩斑斓的星云,掠过了燃烧的恒星,甚至深入了被黑暗笼罩的星系。 在这段旅程中,她也遇到了一些形形色色的人物。有为了生存而挣扎的星际商人,有饱受战争摧残的流浪者,也有对“宇宙之歌”有着不同理解的学者。她曾被欺骗,也曾获得帮助。她见证了宇宙的冷酷与无情,也感受到了人性的温暖与光辉。 一次,她降落在一颗荒凉的星球,偶然救下了一位濒临死亡的流浪者。这位流浪者曾是一位声名显赫的探险家,他身负重伤,却依然保持着对知识的渴望。他告诉莉亚,他曾在一个古老的遗迹中,发现过一个与“宇宙之歌”相关的线索,但最终因为能量耗尽而功亏一篑。他将自己掌握的关于那个遗迹的方位,以及一些他研究的符号,毫无保留地传授给了莉亚。 这些新的线索,让莉亚对“宇宙之歌”的理解更加深刻。她明白,“宇宙之歌”并非一套固定的旋律,而是一个不断演变、生生不息的生命体。它需要被理解,被尊重,更需要被积极地调和。 第三章:共鸣的觉醒 莉亚的搜寻,终于有了突破性的进展。根据流浪者提供的线索,她来到了一片被遗忘的星域。这里充斥着扭曲的空间和异常的能量场,仿佛是宇宙的“伤疤”。在星域的中心,她发现了一个巨大的、被能量场笼罩的残破结构——正是传说中的共鸣之塔。 然而,这座共鸣之塔已经失去了往日的辉煌。它残破不堪,能量几乎枯竭,散发着微弱的、痛苦的“噪音”。莉亚知道,仅仅修复共鸣之塔是不够的,她必须找到并激活隐藏在附近星域的和谐节点,才能重新点燃塔的力量。 在共鸣之塔的周围,她发现了一个古老的地下实验室。在这个实验室里,她找到了更多关于“宇宙之歌”的记载,以及建造共鸣之塔的方法。她还发现,当年建造者们在塔的周围,设置了多个“和谐信标”,这些信标可以引导莉亚找到隐藏的和谐节点。 接下来的日子,莉亚展开了艰辛的搜寻。她驾驶着修复了一部分的古老飞船,根据和谐信标的指引,一个接一个地寻找和谐节点。这些节点,形态各异,有的隐藏在行星深处的能量晶体中,有的则是星系中某种古老生命的意识凝聚体,甚至有的就潜藏在某种特殊的空间维度中。 在寻找每一个和谐节点的过程中,莉亚都面临着巨大的挑战。有的节点被强大的守护者保护着,有的节点则处于危险的能量环境中。莉亚必须运用她的感知能力,以及从流浪者那里学到的知识,巧妙地化解危机,与节点产生共鸣。 当她成功地激活一个和谐节点时,她能够清晰地感受到“宇宙之歌”的旋律变得更加和谐,一股暖流流淌过她的身体,让她感受到前所未有的力量。她知道,每激活一个节点,就意味着艾瑞尔的希望又近了一分。 在搜寻的过程中,莉亚也并非孤身一人。她在一个被忽视的星系中,遇到了一个名叫凯的机械师。凯的种族,曾经是宇宙中最伟大的工程师,但他们却因为过度追求科技而失去了与自然的连接,最终走向衰败。凯是他们种族最后的幸存者,他依然怀揣着对创造的热情,但内心深处却充满了对失落文明的懊悔。 凯被莉亚身上散发出的对生命的敬畏和对宇宙的理解所吸引。他决定帮助莉亚。他利用自己精湛的技艺,帮助莉亚修复了共鸣之塔的核心部件,并制造了能够稳定能量场的装置。 随着莉亚不断地激活和谐节点,共鸣之塔也开始发生变化。残破的塔身逐渐被柔和的光芒笼罩,原本刺耳的“噪音”也渐渐变成了悠扬的旋律。 第四章:交响的序曲 当莉亚激活了最后一个和谐节点时,整个星域都发生了惊人的变化。被能量场笼罩的共鸣之塔,终于焕发出了耀眼的光芒。这光芒,如同最纯净的生命之泉,向四周扩散而去,与莉亚激活的每一个和谐节点产生了共鸣。 “宇宙之歌”的旋律,变得前所未有的和谐与磅礴。这并非一种声音,而是一种流淌在宇宙万物间的能量律动,一种能够触及灵魂深处的共鸣。莉亚感受到,整个宇宙都在歌唱,每一个星辰,每一个生命,都融入了这首宏大的交响曲。 艾瑞尔星球上,衰竭的能量水晶重新焕发了生机,星球的生态系统开始自我修复。干涸的河流重新涌动,枯萎的植物重新抽出嫩芽。而那些曾经绝望的生灵,也感受到了这股温暖而强大的力量,他们的脸上重新露出了希望的笑容。 莉亚的旅程,并没有因为共鸣之塔的修复而结束。她知道,“宇宙之歌”的和谐,需要持续的维护和引导。她选择留在共鸣之塔,与凯一起,成为了“宇宙之歌”的守护者。他们利用共鸣之塔的力量,引导着宇宙中的能量流动,化解潜在的危机,并向那些渴望理解“宇宙之歌”的生灵传播知识。 她不再是那个孤独的流浪者,而是成为了连接宇宙的桥梁。她的眼睛依然明亮,但其中多了一份深邃和睿智。她理解了生命的脆弱与坚韧,明白了宇宙的宏大与精妙。 《苍穹回响》并非一个简单的探险故事,它更是一曲关于生命、关于理解、关于和谐的赞歌。它告诉我们,即使是最微小的个体,也能够以自己的方式,影响整个宇宙。只要我们愿意倾听,愿意感受,我们就能够听到那来自苍穹深处的,永恒的回响。 尾声:永恒的旋律 艾瑞尔,再次迎来了勃勃生机。莉亚的身影,成为了星球上最动人的传说。她并非以武力征服,也非以权力统治,而是以她对生命的敬畏,对宇宙的理解,赢得了所有生灵的爱戴。 凯,也在守护共鸣之塔的过程中,找回了自己种族的荣光。他明白,真正的进步,并非孤立地发展科技,而是要与自然和谐共处,与宇宙的律动保持同步。 “宇宙之歌”的和谐,并非一成不变。它会随着宇宙的变化而演变,需要不断的理解与调和。莉亚和凯,以及他们之后世代的守护者,将永远肩负着这份使命。他们将继续探索宇宙的奥秘,寻找新的和谐节点,引导着宇宙走向更加光明的未来。 那些曾经对莉亚抱有怀疑的人们,如今都深深地感悟到,“宇宙之歌”的力量,远非他们所能想象。他们开始反思自己的生活方式,开始尝试与自然建立更深的连接。 星辰依然闪烁,宇宙依旧浩瀚。然而,在那无垠的黑暗中,却多了一首更加悠扬、更加动人的旋律。这旋律,来自每一个被理解、被尊重、被关爱的生命,它在苍穹之间回响,奏响着永恒的和谐。

作者简介

Terry F. Kleeman, Associate Professor, (Ph.D., University of California at Berkeley) teaches East Asian religious traditions. His research focuses on Daoism and Chinese popular religion. He is the author of A God's Own Tale: The Book of Transformation of Wenchang and Great Perfection: Religion and Ethnicity in a Chinese Millenial Kingdom, as well as articles on Daoist popular god cults, mountain deities, and local religion. He is the President of the Society for the Study of Chinese Religions and managing editor of the journal Studies in Central and East Asian Religions. He has a joint appointment in East Asian Languages and Civilizations.

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这本书的世界观设定,可以说是它最引人入胜却又最令人迷惑的基石。作者构建了一个庞大且逻辑自洽的体系,充满了独有的术语、历史的断层和尚未完全揭示的规则。我花费了大量的精力去梳理这些元素,试图将散落在不同章节的线索拼凑起来,形成一个完整的地图。让我印象深刻的是,作者并没有采取那种“新手教程”式的解释,而是将这些设定如同文物碎片一样,零星地丢给读者,让你必须自己去挖掘它们的历史和功能。起初,我感到相当的挫败,仿佛手里拿着一本没有目录的古代典籍。但随着阅读的深入,当你开始理解某个看似无关紧要的仪式或某种特定建筑的意义时,那种豁然开朗的体验是无与伦比的。这就像是破解了一组只有少数人知道的密码,你会产生一种强烈的“圈内人”的优越感。当然,这种复杂性也意味着,如果你只是想找一本轻松愉快的读物,这本书可能不太适合你,它要求你带着笔记本去阅读,去标记,去绘制思维导图,才能真正领略到其构建的宏伟蓝图。

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这本小说的叙事节奏简直是一场精心的马拉松,作者显然对如何逐步揭开谜底有着近乎偏执的掌控欲。开篇并非那种直奔主题、火力全开的猛冲,反而像是在一片浓雾中艰难跋涉,每一个角色的登场都带着三分的疏离和七分的神秘。我花了将近三分之一的篇幅才真正开始感觉到故事的脉络在眼前清晰起来,那种感觉就像是透过陈年的玻璃窗,终于瞥见了窗外的繁华景象。特别是主角的心理刻画,细腻到了令人发指的地步,他每一个微小的犹豫、每一次转瞬即逝的念头,都被作者用近乎散文诗的笔触描摹出来。我甚至能感受到他那份藏在平静外表下的躁动不安,那种对既定命运的反抗,虽然被压抑得极深,却如同地底深处的岩浆,随时有喷薄而出的可能。不过,也正因为这种慢热的布局,对于那些期待一上来就有高潮迭起的读者来说,可能会略感不耐烦。但请相信我,一旦你熬过了最初的铺陈,后续的张力会以一种内敛而强大的方式爆发,它不是那种炸裂的烟火,而是深海中无声的引力,将你牢牢吸入其中,难以自拔。这本书需要的不仅仅是阅读时间,更需要一种沉浸式的耐心去体味,去跟随作者的呼吸节奏。

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我必须承认,这本书的语言风格像极了一杯陈年的波尔多红酒,初尝时或许感觉过于厚重、带着一丝难以捉摸的涩味,但当你让它在舌尖停留足够久,那种复杂的层次感和悠长的回味便会全然释放出来。作者似乎非常钟爱使用那些略显晦涩但极富画面感的词汇,每一次转折都充满了文学上的野心。我尤其欣赏作者在描述环境时的笔法,那些建筑物、街道、甚至空气中的尘埃,都被赋予了超越其物理属性的象征意义。比如,某个阴冷的早晨,作者描绘了光线穿过窗棂时,如何在古老的木地板上投下斑驳的几何图形,那一刻我仿佛真的置身于那个时间仿佛停滞的房间里,感受到了一种历史的重量和岁月的无情。这种风格无疑提升了作品的艺术格调,但同时也带来了一个挑战:阅读过程中的“理解负担”。我时不时需要停下来,反复咀嚼那些句子,试图捕捉作者藏在字里行间的深层意图。它不是那种让你放松大脑,随波逐流的小说,更像是一场需要你全神贯注参与的智力博弈,每一段文字都可能是通往下一个真相的钥匙。

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与其他同类型题材的作品相比,这部作品在处理“冲突”的处理上显得尤为克制和内敛。你不会在书中看到大量的直接对抗或口角之争,那种你来我往的激烈交锋被巧妙地替换成了一种精神层面的角力。主要人物之间的矛盾,往往体现在他们眼神的交错、沉默的时长,以及他们对同一事件截然不同的叙事角度上。这要求读者必须具备高度的观察力和共情能力,去捕捉那些“未说出口的话”的力量。例如,两个曾经的盟友在茶桌前的对话,表面上风平浪静,谈论着天气和日常琐事,但空气中弥漫的张力却足以让人屏息。每一次礼貌的微笑背后,都可能隐藏着深思熟虑的算计或无法弥补的裂痕。这种微妙的平衡感处理得极为精妙,它让读者始终处于一种“悬而未决”的状态,既期待真相的揭露,又享受这种步步为营的推测乐趣。这种处理方式,无疑是对传统戏剧冲突模式的一种大胆颠覆,展现了作者对人性复杂性的深刻洞察。

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从结构上来看,作者采取了一种非常规的非线性叙事手法,时间轴被有意地打碎、重组,并在不同角色的记忆和当前行动之间不断跳跃。这不像是一条河流,更像是一张交织着无数细线的挂毯,你必须从不同的角度去观察,才能看到整体的图案。起初,这种碎片化的叙述方式让我感到些许混乱,总觉得故事的连续性受到了干扰,读完一个章节后,常常需要花几分钟来重新定位自己“现在”在哪里,以及“之前”发生了什么。然而,正是这种看似混乱的结构,有效地模拟了人类记忆和历史的运作方式——我们并非总是按部就班地记住一切,而是通过闪回、联想和情感触发来重构过去。随着故事的推进,我逐渐领悟到,作者正是利用这种手法,来巧妙地控制信息的释放速度,确保读者在每一个关键时刻都能获得恰到好处的震撼。它迫使我们主动去填补那些时间上的鸿沟,这种参与感,远比被动接受叙述要深刻得多,也更具回味价值。

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提供了一個對早期天師道發展的本地風土以及政權更替等歷史背景的詳細介紹。兩個大不足:1. 史料堆砌且材料多為官史,雖然開頭提到了材料的侷限性,但行文過程中卻未能將此意識有效帶入。2. 對政權和宗教之間的關聯探討不足,僅僅只是將二者分而析之,此不足一則是材料侷限所致,二則乃是作者自身對材料的邏輯敘述解讀不夠造成的。

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提供了一個對早期天師道發展的本地風土以及政權更替等歷史背景的詳細介紹。兩個大不足:1. 史料堆砌且材料多為官史,雖然開頭提到了材料的侷限性,但行文過程中卻未能將此意識有效帶入。2. 對政權和宗教之間的關聯探討不足,僅僅只是將二者分而析之,此不足一則是材料侷限所致,二則乃是作者自身對材料的邏輯敘述解讀不夠造成的。

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提供了一個對早期天師道發展的本地風土以及政權更替等歷史背景的詳細介紹。兩個大不足:1. 史料堆砌且材料多為官史,雖然開頭提到了材料的侷限性,但行文過程中卻未能將此意識有效帶入。2. 對政權和宗教之間的關聯探討不足,僅僅只是將二者分而析之,此不足一則是材料侷限所致,二則乃是作者自身對材料的邏輯敘述解讀不夠造成的。

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提供了一個對早期天師道發展的本地風土以及政權更替等歷史背景的詳細介紹。兩個大不足:1. 史料堆砌且材料多為官史,雖然開頭提到了材料的侷限性,但行文過程中卻未能將此意識有效帶入。2. 對政權和宗教之間的關聯探討不足,僅僅只是將二者分而析之,此不足一則是材料侷限所致,二則乃是作者自身對材料的邏輯敘述解讀不夠造成的。

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提供了一個對早期天師道發展的本地風土以及政權更替等歷史背景的詳細介紹。兩個大不足:1. 史料堆砌且材料多為官史,雖然開頭提到了材料的侷限性,但行文過程中卻未能將此意識有效帶入。2. 對政權和宗教之間的關聯探討不足,僅僅只是將二者分而析之,此不足一則是材料侷限所致,二則乃是作者自身對材料的邏輯敘述解讀不夠造成的。

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