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Mary Higgins Clark, America's "Queen of Suspense," delves into the mystery of psychic powers and communication with the dead in her gripping new thriller, Before I Say Good-Bye. When Adam Cauliff's new cabin cruiser, Cornelia II, blows up in New York harbor with him and several close business associates aboard, his wife, Nell MacDermott, is not only distraught at the loss but wracked with guilt because she and Adam had just had a serious quarrel and she had told him not to come home. The quarrel was precipitated by Nell's decision to try to win the congressional seat long held by her grandfather Cornelius MacDermott. Orphaned at age ten, she had been raised by "Mac," as she called him, and was always at his side on Capitol Hill. Politics was in her blood, and Adam had known her ambitions when they married. Suddenly, however, he became opposed to her plan to run for Congress. Nell, like her great-aunt Gert, possesses psychic gifts, which her grandfather scoffingly dismisses as "flights of fantasy." As a child she had been aware of the deaths of both her parents and grandmother at the exact moment they died. She knew because at that very moment she sensed their presence near her. Even though Nell has the rare gift of extrasensory perception, she is much too levelheaded to accept most of the claims made by many so-called psychics and is skeptical about Aunt Gert's fascination with mediums. After Adam's death, however, Gert begs Nell to see a medium, Bonnie Wilson, who has contacted her, claiming she is in touch with Adam. Still regretting her last angry words to Adam, Nell agrees, hoping that she will be able to reach him through the medium and part from him in peace. As the investigation into the boat's explosion proceeds, Nell is shocked by the official confirmation that it was not an accident but the result of foul play. Adam, an architect, had been involved in a major construction project on land he had recently purchased and which had since had a spectacular rise in value. Was Adam the target of the explosion? Or was it Winifred Johnson, his self-effacing, fifty-two-year-old assistant, who knew too much about bribery in the construction business and who was openly in love with him? Or was it Sam Krause, a builder with a questionable reputation who was involved in the new project? Or Jimmy Ryan, the debt-ridden construction foreman whose wife, after his death, discovers money hidden in their home? Or was it Peter Lang, the wealthy man-about-town real-estate entrepreneur, whose minor traffic accident caused him to miss the fatal meeting on the boat? As Nell searches for the truth about Adam's death, she carries out instructions from Adam transmitted through the medium. What she does not know is that she is being closely watched, and the nearer she comes to learning what actually happened on the boat that night, the nearer she is to becoming the next victim of a ruthless killer. --This text refers to an out of print or unavailable edition of this title.
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这本小说,说实话,我一开始是被它那个带着淡淡忧伤的名字吸引的。买回来后,一口气读完了,感觉像是经历了一场漫长而又细腻的情感洗礼。作者的笔触极其老道,人物的塑造更是入木三分。你几乎能感受到主角内心的每一次挣扎、每一次释然。故事的节奏把握得恰到好处,它不会让你觉得拖沓,也不会让你因为情节推进太快而抓不住重点。特别是那些环境的描写,那种旧时光里特有的光影和气味,被描绘得淋漓尽致,仿佛我真的置身于故事发生的那座小城,感受着那份独特的宁静与压抑。整个阅读过程,我都在思考人与人之间那些复杂的情感联结,关于承诺、关于放下、关于那些我们曾经以为永远不会改变的东西。这本书的魅力就在于,它没有提供一个廉价的、皆大欢喜的结局,而是留给你一个需要自己去消化的回味空间,就像一杯上好的陈年威士忌,初尝辛辣,后劲悠长,值得细细品咂。我特别欣赏作者对细节的关注,那些微不足道的日常对话,往往蕴含着推动整个故事走向的关键信息,需要读者集中十二分的注意力才能捕捉到。
评分读完这本书,我久久不能平静,脑海里反复回放的不是那些宏大的叙事场面,而是那些极其生活化,却又饱含深意的瞬间。它更像是一部情感的纪录片,用诗意的语言记录了一段人生的侧面。作者的叙事视角非常独特,她似乎能够轻易地钻进角色的皮肤里,用他们的眼睛看世界。我很少看到一部作品能如此坦诚地探讨“失去”这个主题。它不是那种歇斯底里的控诉,而是一种近乎平静的接受,一种与自己的不完美和解的过程。这种成熟的处理方式,让我感觉自己也跟随角色一起完成了某种心灵上的净化。文字的密度非常高,每一句话都经过了精心的打磨,没有一句废话,信息量极大,但读起来却毫不费力,反而有一种被智慧灌溉的感觉。它让我开始重新审视自己生命中那些被忽略的转折点,思考如果当时我做了另一个选择,现在会是怎样一番光景。这本书的价值,在于它提供了一种全新的观察人性的透镜。
评分这本书的文学性毋庸置疑,但更重要的是,它是一部极富同情心的作品。它没有审判任何人,即便是那些做出了错误选择的角色,作者也给予了充分的理解和空间去解释他们的动机。这种不加评判的叙述姿态,使得读者能够更安全、更深入地进入角色的内心世界,与他们一同经历内心的风暴。我尤其欣赏作者的语言风格,它不像某些严肃文学那样故作高深,而是保持了一种清澈、透明的质感,像山间的溪流,看似平缓,实则暗流涌动。每次读到一些描绘自然景色的段落时,那种清凉感和舒展感就会扑面而来,仿佛是给被故事压抑的情绪提供了一个喘息的出口。这本书给我最大的启发是关于“接受不完美”,接受生活中的裂痕,因为正是这些裂痕,才让光得以射入。它不是一本提供答案的书,而是一把帮助你提出更深刻问题的钥匙。
评分我向来对文学作品中那种过于刻意制造的戏剧冲突感到厌倦,但这本书完全避开了这些陷阱。它的张力来自于人物之间微妙的距离感和那些未曾说出口的话语。每一个人物,即便是篇幅不多的配角,都有其完整而复杂的生命轨迹,他们不是为主角服务的工具,而是真实存在于那个时空中的个体。作者高明之处在于,她很少直接告诉我们“某人很痛苦”,而是通过一系列精确到位的动作和环境反馈来暗示这种痛苦。比如,主角整理书架的次数,她对某件旧物的摆放位置的微小变动,这些细节的累积,比任何激烈的争吵都更有力量。阅读的过程,像是在进行一场安静的考古挖掘,你必须耐下性子,清理掉表面的尘土,才能发现下面埋藏的珍贵文物。这本书带来的那种深层次的共鸣,是那种让你想立刻给身边最重要的人打个电话,聊聊那些年少时的梦想与遗憾的感觉。
评分坦白说,刚翻开这本书的前几页,我还有点担心它会落入某种俗套的叙事陷阱,但很快,我的疑虑就被彻底打消了。作者构建的世界观非常扎实,尽管故事可能发生在看似普通的背景下,但其内在的情感张力和道德困境却具有极强的普适性。这本书的结构设计堪称一绝,它像一个精密的钟表,每一个齿轮——无论是闪回的片段、人物的内心独白,还是突如其来的事件——都严丝合缝地咬合在一起,共同驱动着时间的流逝和情感的递进。最让我震撼的是对“时间”的处理。时间在这里不是线性的,而是被主角的情感状态切割、重组、甚至停滞的。你会在阅读中体验到那种时间仿佛凝固的压抑感,也会感受到它突然加速的失重感。这种对时间感官的精准捕捉,是很多作家穷尽一生也难以企及的境界。它不是那种读完就扔掉的书,它需要被反复提及,被不同心境下的自己重新审视。
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