Amazon.com British agent Sean Dillon, late of the IRA, is back in another heart-stopping adventure by veteran suspense writer Jack Higgins, who starts his newest with a dry recitation of the background and heritage of the villains of this piece (the half-British, half-Arab Rashid family) and then rockets them into action. The three brothers and their alluringly beautiful sister Kate aren't happy when Russian and American interests start poaching on the patch of oil-rich desert sand they consider part of the family business. Political assassination figures heavily in the Rashids' plans for revenge. Enlisting the aid of Irish terrorist Aiden Bell and his cronies, they plot the murder of the American president, and when that fails, the Russian prime minister. But Dillon and his spymaster, Brigadier General Ferguson, thwart their plans at every turn, and as the Rashid men are picked off, one by one, the stakes keep getting raised. The final showdown, between Sean and Kate, ends in the kind of draw that, combined with the oft-repeated Rashid family motto ("I always return"), presages a sequel to this brilliantly paced thriller. Sean Dillon is a soldier's soldier, whom Higgins invests with dignity as well as derring-do; he gets more complex and interesting with every outing. Higgins has penned over 30 novels, many featuring other protagonists, but none of them has Dillon's staying power. If you've never met Sean Dillon, this is a good place to start. There are plenty of books featuring him in Higgins's extensive backlist, and by the time you've worked your way through them, you'll be eagerly anticipating the next one. --Jane Adams From Publishers Weekly After 31 Higgins thrillers, nearly all first-rate, fans know that this author is as reliable as a Rolls. His 32nd novel proves no letdown. Pitting returning antihero Sean Dillon, once of the IRA, now with British intelligence, against an aristocratic English-Arab family bent on vengeance that threatens world order, the story whips along. From London to the Middle East, from Ireland to the White House, it swirls with intrigue and snaps with violence. While driving drunk in England, a Russian diplomat kills the mother of Paul Rashid, Earl of Loch Dhu, one of the world's richest men. The diplomat is protected by both the Russians and the Americans, between whom he was brokering an oil deal. In retaliation, Rashid, whose Arab side stems from fierce desert "Bedu," lashes out by ordering the assassination of the American president. Rashid hires an infamous Irish terrorist to do the deed, but in a tense stalk-and-shoot at the presidential retreat at Nantucket, the attempt failsDprompting Rashid to go after other targets. Higgins's no-nonsense prose builds a tough tale peopled by menDand a few women, notably Rashid's beautiful, equally fierce sisterDwho thrive on danger and are smart enough to quote Plato in explaining why ("'the life which is unexamined is not worth living.' Which means to me: the life not put to the test"). Dillon's usual gang joins the diminutive, deadly Irishman as he tracks Rashid from one outrage to another, culminating in a showdown in an ancient Scot castle that leaves no doubt of a sequel. This is Higgins near the top of his game, hands a blur as, fast and hard, he deals another winner. Literary Guild main selection. (Feb. 19) Forecast: Like his talent, Higgins's welcome on bestseller lists never seems to wear out. Copyright 2001 Reed Business Information, Inc. See all Editorial Reviews
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这部小说的开篇,我不得不说,作者的笔力着实令人惊叹。那种将读者一下子拽入场景的功力,简直是教科书级别的。故事的节奏把握得非常到位,没有丝毫的拖泥带水,每一个场景的转换都像是精准的镜头切换,让人应接不暇却又丝毫不觉混乱。特别是对于主要角色的内心挣扎和外部环境的压迫感的描绘,细腻得让人心疼。你仿佛能闻到空气中弥漫的紧张气息,能感受到主角每一次呼吸的急促。我尤其欣赏作者在构建世界观时所展现出的那种宏大叙事与微观叙事的完美融合。宏大的背景设定为故事提供了广阔的舞台,而那些细枝末节处的人性光辉与阴暗面,又让整个故事拥有了触手可及的真实感。情节设计上的反转层出不穷,但每一次反转都不是为了炫技,而是紧密服务于人物命运的必然走向,这种“意料之外,情理之中”的叙事高明之处,实在值得称赞。读到一半时,我几乎是屏住呼吸读完的,生怕错过任何一个关键的暗示或伏笔。这本书成功地在我的脑海中构建了一个立体、有血有肉的世界,让我沉浸其中,无法自拔。
评分这本书最打动我的地方,在于其对“边缘”状态的描绘。无论是地理上的偏远、情感上的孤立,还是道德上的摇摆不定,作者都捕捉到了那种悬于一线、随时可能坠落的脆弱感。叙事上,作者采用了非常现代的手法,比如大量运用闪回和意识流的片段,将人物破碎的记忆和当下的危机交织在一起,使我们更深刻地理解他们为何会走到今天的境地。这种叙事技巧考验着读者的专注力,但回报是巨大的——你获得的不仅仅是一个情节,更是对角色完整心路历程的透视。我尤其欣赏角色之间的化学反应,那种紧张、猜忌、偶尔流露出的微小善意,都处理得极其真实可信,没有丝毫的矫揉造作。它成功地颠覆了我对传统英雄叙事的期待,展现了在绝境中,真正的勇气往往与光环无关,而与坚韧的求生意志和对核心价值的坚守息息相关。读罢掩卷,留下的思考远多于对情节的记忆,这是一部真正有重量、有深度的作品。
评分这本书的叙事节奏有一种奇特的韵律感,它不是那种一味求快或者一味拖沓的类型,而是像一段精心编排的交响乐。前奏低沉酝酿,中段冲突激化,高潮部分则是一次次力量的爆发和情感的宣泄,收尾处又回归到一种令人深思的寂静。我发现,作者在处理那些关键的对话场景时,功力非凡。台词的张力不是靠夸张的语气词堆砌,而是隐藏在字里行间那些未说出口的潜台词和试探中。每一次角色的交锋,都像是在刀尖上跳舞,你永远不知道下一秒谁会露出破绽。更令人佩服的是,即便是在这样高强度的情节推进下,作者依然没有牺牲掉对人性复杂面的挖掘。书中关于信任与背叛的探讨,尤其触动我。它没有给出简单的黑白答案,而是将角色推向道德的灰色地带,迫使读者去思考:在极端压力下,我们自己会做出何种选择?这种代入式的思考,是这本书最宝贵的地方。它不仅仅是一个故事,更像是一场深刻的社会和心理实验。
评分老实说,我很少能读到如此注重细节和氛围营造的惊悚题材作品。作者对环境的描摹简直达到了变态的程度——那种阴森、潮湿、充满未知威胁的感觉,透过文字直击感官。你读着,会不自觉地环顾四周,怀疑自己身处的房间是否也藏着什么秘密。这本书的叙事视角转换得非常自然流畅,从第一人称的紧迫感,到偶尔穿插的第三人称的上帝视角,让信息的获取和保留都达到了最佳平衡。它不像有些作品那样堆砌华丽的辞藻,而是用最精炼、最精准的词汇,构建出最强大的心理暗示。关于人物动机的刻画,也极其深刻,即便是那些处于边缘的角色,作者也赋予了他们复杂的过往和合理的行动逻辑,这使得整个故事网更加紧密,没有一个多余的线头。我特别喜欢作者对于“恐惧”本身的探讨,它不仅仅是外部威胁带来的,更多的是源于人性的自我怀疑与选择。读完后劲十足,很久都无法从那种被拉扯的神经紧绷感中完全抽离出来,强烈推荐给那些追求高智商、高压迫感阅读体验的同好们。
评分我必须承认,在阅读的过程中,我多次被作者对环境氛围的渲染能力所折服。那种无处不在的压抑感,不是靠突然出现的“跳跃惊吓”来制造的,而是通过对光影、声音乃至沉默的精心设计,一点点渗透进读者的意识深处。它营造出一种“即使什么都没发生,也知道危险正在靠近”的持续性焦虑。这本书的结构设计也颇为精妙,似乎有两条看似平行的故事线,但随着阅读的深入,你会发现它们之间有着千丝万缕的联系,作者在关键时刻将这些线索交织在一起的方式,堪称一绝,那种恍然大悟的震撼感是难以言喻的。此外,对于特定历史背景或专业知识的引用,处理得十分自然,既丰富了故事的深度,又不会让人感到说教或脱节,显示出作者扎实的研究功底。整体来看,这是一部在技术层面和情感层面都达到了高水准的佳作,读起来酣畅淋漓,回味无穷,是近些年来难得一见的精品。
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