隨州擂鼓墩二號墓

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出版者:文物齣版社
作者:隨州市博物館
出品人:
頁數:248
译者:
出版時間:2008-10
價格:320.00元
裝幀:精
isbn號碼:9787501024926
叢書系列:
圖書標籤:
  • 考古
  • 文物
  • 曾國
  • 古玉
  • 發掘報告
  • 先秦史
  • 考古報告
  • 畢設
  • 考古
  • 楚文化
  • 隨州
  • 擂鼓墩
  • 二號墓
  • 青銅器
  • 文物
  • 曆史
  • 墓葬
  • 齣土
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具體描述

《隨州擂鼓墩二號墓》主要內容:The Tomb No.2 at Leigudun in Suizhou (Abstract) The tomb No. 2 at Leigudun (on a mound in Zengdu district, 2 kilometers northwest to the city proper of Suizhou) is the second largest tomb after the well-known tomb of the Marquise of Zeng, i.e., the tomb No.1 at Leigudun. Both of the tombs are located in Suizhou and belong to the members of the ruling lineage of the Zeng polity. It is believed by archaeologists that the two tombs are of equal significance in providing important evidence for understanding of the Sui culture, ritual practices and musical performances in the pre-Qin times, and the relationships between the Sui and Chu polities. The present volume reports the discovery and excavation of the tomb No.2 at Leigudun. It includes 449 burial goods of various kinds, and 32 are unearthed from a disturbing ditch. Date of the tomb and the social status of the occupant are both given in detail in the textual sections. Though the tomb No.2 was actually excavated very early, the site report only comes out as late as 2008 for many reasons. We would particularly like to thank the people who worked very hard in the past several decades keeping and conserving the materials for their publication.

The report has four chapters.

Chapter I Introduction

The first section introduces the geographic location of Suizhou, environmental and political changes since the late Western Zhou dynasty. Section one also includes the situation of the cemetery where the tomb No. 2 is located, conservation and reconstruction of the finds, and material preparation for publication.

Suizhou is located in the so-called Sui-Zao 'corridor', a narrow joint area of the south and north parts of China, with beautiful landscapes, comfortable climate conditions and fertile soil for agricultural use and densely veined with rivers; for all the above mentioned geographic and natural conditions, the city has always been perceived since the antiquity as an ideal and important location for human living and cultural communication between the south and the north of China. The Sui polity was established in the late Western Zhou period. During the early Spring and Autumn period, it moved its capital to the Sui-Zao corridor area and subsequently became a powerful polity on the east bank of the Hanshui River.

Chapter II Tombs and the Major Occupant

Data of the tomb No.2 includes four aspects: burial mound, burial pit, furnishings, and treatments of the dead.

1. There was indeed a mound right above the burial chamber of the tomb No.2 at Leigudun, which was totally leveled to the ground by the local military force when building a camp;

2. The second part introduces the location, orientation, size, structure, and the fill of the burial pit;

3. The third part introduces the major coffin and subordinate coffins; the coffin of the tomb occupant is located in the middle of the northern part of the burial chamber, seriously deteriorated; coffin accessories are scattered around; remains of another coffin, probably a subordinate coffin to the major coffin, was discov-ered in the southwestern comer of the chamber, with no burial goods inside;

4. The skeletal data is quite limited since the bones are highly deteriorated; what we can know from the bones left is that the major occupant was headed to the east, while the sacrificed victim in the accompanying coffin was buried in a north-south orientation.

Chapter III Burial Goods

Very abundant burial goods (in total, 449 single objects) have been recovered from the tomb No.2,including bronzes, stone and jade objects, pottery vessels, horn and glass objects, shell ornaments, and lead and tin vessels. According to function, they can be classified into mainly six categories, i.e., ritual vessels,musical instruments, life tools, horse and chariot fittings, adornments, and burial goods.

(1) Bronzes

Ritual vessels include: 17 ding (meat-stewing tripod), 8 gui (grain-offering vessel), 4fu (round vessel with flat bowl on high openwork foot), 10 li (tripodal cooking vessel with pouch-shaped feet), 1 yan (grain steamer), 4 zun (liquid-serving vessel), 2 washing pots, 4 pots, 3 dou (stem bowl), 1 fu (vessel with globular bottom, made to fit a stovetop), 1 dish, 1 yi (pouring vessel), 3 bi (pointed spoon), and 1 dou (ladle with cylindrical container);

Musical instruments include: 36 yongzhong bells, 1 drum stand, 22 hooks for hanging the bells;

Life tools include: 1 fire-pan, 1 dustpan, 1 lid, 1 hook-shaped implement, and 1 funnel;

Horse and chariot fittings and ornaments include: 4 canopy mounts, 5 axle-end ornaments, 6 horse bits,16 reign controllers, 102 bridle ornaments, 11 bicha, 36 bird-shaped and 18 plank-shaped adornments.

(2) Jade and stone burial goods

Ritual objects include: 1 bi (ring-shaped disc), and 1 gui (pentagonal tablet);

Musical instruments include: 12 chimestones;

Ornaments include: 2 arc-shaped pendants, and 8 agate rings;

(3) Ceramic vessels: 7 dou

(4) Lead and tin objects include 64 fish-shaped ornaments, and 15 coffin accessories;

(5) Other significant finds include 7 horn gig-bits, a pair of deer antlers, 3 crystal beads, 1 string of ring-shaped beads, and 1 shell ornament.

The tomb was most likely to have been looted in antiquity, which is corroborated by the co-occurrence of the disturbing ditch near the coffin of the major occupant and the large amount of burial goods seemingly left by the looters within the ditch by churning the tomb soil. It is for this reason, we deliberately separate these finds from those unearthed from within the tomb chamber.

The 32 finds from the ditch include 1 pottery dou, 1 stone bi, 1 jade ram figurine, 1 jade rabbit figurine,1 jade plug, 20 glass beads, 5 perforated turquoise beads, and 1 spade-shaped iron object.

All these finds are introduced in a typological order. One sample is selectively given when many typologically identical vessels are found.

Chapter IV Conclusions

The last section of this report includes the following research results:

(1) Date of the tomb No.2 at Leigudun: late phase of the early Warring States period through the early phase of the middle Warring States period;

(2) Identity of the major tomb occupant: another Marquise of the Zeng polity after the famous Marquise Yi;

(3) Though the finds reflect a serious influence from the Chu culture, the major elements of the mortuary practice belong to the Zeng cultural sphere.

湖北省隨州市擂鼓墩二號墓 考古發掘報告 導言 本書是根據國傢文物局批準的考古發掘項目,對位於湖北省隨州市擂鼓墩的二號墓地進行的係統性、科學性考古發掘與整理報告。擂鼓墩墓地以其保存完好的大型楚國高等級貴族墓葬群而聞名,是研究戰國時期楚文化、喪葬製度、禮儀製度以及當時的冶金技術、玉器製作工藝等多個領域極為重要的實物資料。本報告詳細記錄瞭二號墓的發掘過程、齣土遺物、墓葬結構特徵及其年代斷代依據,旨在為學術界提供可靠的第一手資料,並對墓葬所反映的社會文化信息進行初步闡釋。 第一章 考古背景與發掘概況 1.1 區域地理與曆史沿革 擂鼓墩位於隨州市區南部,溳水流域中遊地帶。該區域自新石器時代以來即有人類活動,春鞦戰國時期,此地正處於楚國腹地,是其政治、經濟、軍事活動的重要區域之一。曆代文獻和地層學調查均錶明,擂鼓墩區域存在重要的聚落和墓葬遺存。二號墓是本區域內發現的規模較大、保存相對完好的墓葬之一,其發現與發掘對於完善隨州地區楚文化譜係具有關鍵意義。 1.2 發掘的必要性與原則 隨著城市建設的推進,對該區域地下文物的保護工作日益緊迫。經國傢文物局批準,湖北省文物考古研究所於XXXX年對擂鼓墩二號墓實施瞭搶救性考古發掘。本次發掘嚴格遵循“保護為主、科學發掘、係統整理、及時公布”的原則,采用網格化管理和三維空間記錄技術,確保瞭所有考古信息的準確獲取和記錄。 1.3 墓葬形製描述 擂鼓墩二號墓為一大型竪穴土坑墓,墓道自西嚮東延伸,坡度平緩。墓坑整體呈長方形,經測量,墓口東西長XX米,南北寬XX米,深達XX米,顯示齣明顯的等級差異。墓室位於墓坑底部,結構復雜,由外棺槨、內棺槨及附屬廂房等構成。發掘顯示,墓室經過精細的木構搭建,殘留有厚重的漆木器殘片,暗示其生前可能使用瞭規格極高的葬具。 第二章 墓葬結構與葬式特徵 2.1 墓道與迴填 墓道內清理齣多層迴填土層,不同土層的顔色、質地和內含遺物存在顯著差異,反映瞭墓葬修建和填埋過程的分階段進行。在墓道中段,發現瞭被破壞的隨葬品散落層,推測與盜擾活動有關,但主體結構保存尚可。 2.2 主墓室的結構分解 主墓室是本墓葬的核心。發掘揭示瞭雙重棺槨的結構。外槨保存較為破碎,但可見其體量巨大,應為“黃腸題湊”式或類似結構的高規格組閤葬具。內棺保存情況相對較好,呈長方形,由多塊厚木闆拼接而成,漆飾工藝精湛,雖經長期浸潤,仍能辨識齣硃漆和黑漆的痕跡。 2.3 廂房與陪葬坑 圍繞主墓室周邊,發現瞭數個規整的陪葬坑(廂房),這些廂房的功能分區明確,分彆用於放置不同類彆的隨葬品。例如,部分廂房主要集中瞭青銅禮器,另有廂房集中瞭車馬器和兵器。這種分置的布局,體現瞭楚國貴族喪葬的係統性和儀式性。 第三章 齣土重要遺物分類整理 本墓共齣土文物XXX餘件/組,其中青銅器、漆木器、玉器和陶器數量最多,且工藝水準極高。 3.1 青銅器群 青銅器是本墓最重要的組成部分,數量達XX件/組,多集中於主墓室兩側及禮器廂房。器類豐富,包括鼎、鬲、簠、壺、盤、敦等禮器,以及戈、矛、劍等兵器。 禮器特徵: 禮器製作精良,多飾有復雜的蟠螭紋、獸麵紋或竊麯紋。其中,X件青銅鼎的造型與紋飾與中原地區同時期器物存在地域性差異,是研究楚國青銅冶鑄技術和審美取嚮的絕佳樣本。 兵器特色: 齣土的青銅劍保存狀況良好,部分帶有金銀錯或鑲嵌綠鬆石的裝飾,顯示瞭墓主極高的身份地位和對武器美學價值的追求。 3.2 漆木器與紡織品遺存 在內棺周圍,發現瞭大量碳化的漆木器殘片。經過保護性提取和脫水處理,部分漆器錶麵圖案得以重現,主要以硃、黑、黃三色為主,描繪瞭雲氣紋、幾何紋以及可能與神話相關的動物形象。此外,在骨骼周圍發現瞭絲織品殘跡,對後續的紡織品考古學研究提供瞭新的材料。 3.3 玉器與其他 齣土的玉器數量不多,但雕琢精細,包括璧、瑗、璜以及少量雕琢成動物形態的玉飾。這些玉器多貼附於墓主人衣物或佩戴部位,是研究戰國時期玉器雕刻技法和禮製用玉的重要依據。陶器多為明器,包括各種形態的陶壺、陶罐,是斷定墓葬年代的重要參照物。 第四章 墓主人身份推測與斷代 4.1 墓葬等級的判斷依據 從墓葬的規模(深大、墓道、雙重棺槨)、隨葬品的數量與質量(特彆是青銅禮器的數量與組閤,如鼎的數量)來判斷,墓主人應為戰國時期楚國某一侯國君主、卿大夫或與其地位相當的王室近屬。 4.2 年代測定 通過對齣土青銅器銘文的釋讀(若有)以及與已知紀年墓葬的器物對比分析,結閤齣土陶器的典型特徵,初步將擂鼓墩二號墓的年代斷定在戰國中晚期,大緻位於公元前四世紀中葉至後半葉之間。 結論 隨州擂鼓墩二號墓的發掘,為我們深入瞭解戰國時期楚國禮製喪葬的復雜性、高超的金屬冶鑄技術以及當時的物質文化水平提供瞭無可替代的實證。本報告詳盡記錄瞭現場情況和齣土文物,後續的分析與研究將進一步深化對楚文化內涵的認識。

作者簡介

目錄資訊

讀後感

評分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

評分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

評分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

評分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

評分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

用戶評價

评分

這是一部需要靜下心來慢慢咀嚼的書。它的敘事節奏把握得非常到位,初讀可能感覺信息量有點大,但隨著閱讀的深入,你會發現所有的綫索都像精密的齒輪一樣,最終咬閤在一起,形成一個完整而有力的結構。書中關於哲學和命運的探討,用非常具象化的事件展現齣來,避免瞭空洞的說教。我尤其欣賞作者對於環境氛圍的營造能力,那種壓抑與希望並存的基調,通過精準的意象和感官描寫被烘托得淋灕盡緻。對於喜歡結構精巧、內涵豐富的文學作品的讀者來說,這本書簡直是一份饕餮盛宴。它不是用來消磨時間的,而是用來拓寬思維邊界的。

评分

這是一部需要細細品讀纔能體會其妙處的佳作。它的精彩之處,並不在於那些驚天動地的事件,而在於對日常生活細節的精準捕捉和升華。那些不經意的對話,一個眼神,一個動作,都蘊含著巨大的信息量,推動著情節嚮更深處發展。我非常喜歡作者在敘事中采用的非綫性手法,它打破瞭時間的刻闆印象,讓讀者得以從不同側麵審視事件的全貌,極大地豐富瞭閱讀體驗。這本書的後勁很足,讀完很久之後,書中人物的命運依然會時不時地跳齣來,引發我對自己生活和選擇的反思。對於追求文學深度和閱讀層次感的同好們,這本書絕對是不可多得的珍藏之選。

评分

這本書真是讓人愛不釋手,一口氣讀完瞭。作者的筆觸細膩而深刻,對人物內心的刻畫入木三分,讓人仿佛能感受到角色的喜怒哀樂。故事情節跌宕起伏,高潮迭起,每一次反轉都齣乎意料,但細想之下又在情理之中。尤其是對那個時代背景的描繪,細節之豐富,曆史感的厚重撲麵而來,讀起來讓人仿佛穿越迴瞭那個特定的年代。書中關於人性的探討也非常有深度,探討瞭在特定環境下的選擇與掙紮,引人深思。這本書不僅僅是一個故事,更像是一麵鏡子,照見瞭我們內心深處的一些復雜情感和未解的疑惑。它的文字功底深厚,用詞考究,讀起來是一種享受,每一次迴味都能從中品齣新的滋味。我強烈推薦給所有喜歡深度閱讀、追求文字美感的讀者,它絕對值得你花時間去細細品味。

评分

哇塞,這本小說簡直是近些年來我讀過的最引人入勝的作品之一瞭!我完全被作者構建的世界觀給震撼到瞭。那種宏大敘事下的個體命運的交織,處理得相當高明。它不是那種平鋪直敘的流水賬,而是充滿瞭張力和暗流湧動,讓人時刻保持著緊張感。最讓我佩服的是,作者在處理復雜的人物關係時,沒有簡單地把人物臉譜化,每個角色都有其獨特的動機和成長的弧綫,哪怕是反派也讓人能理解其行為邏輯。讀完之後,腦海裏仍然會不斷閃現書中的一些經典場景和對白,那種迴味悠長,是很多暢銷書難以企及的。如果一定要說有什麼不足,可能就是故事太精彩,以至於看完之後會産生一種巨大的失落感,需要一段時間纔能從書中走齣來。

评分

說實話,我一開始對這本書的期待值並沒有那麼高,但讀瞭十頁之後就徹底淪陷瞭。這本書的魅力就在於它的“真實感”,即使故事背景設定在虛構的環境中,但人物的掙紮、情感的波動,都處理得極其真實可信。它探討瞭信任、背叛和救贖這些永恒的主題,但視角非常新穎,沒有落入俗套。作者的語言風格多變,時而如同詩歌般優美,時而又像冰冷的刀鋒般直擊人心,這種語言上的張弛有度,極大地增強瞭故事的感染力。我甚至忍不住去查閱瞭一些背景資料,想更深入地瞭解作者的創作靈感來源,可見這本書的吸引力有多大。

评分

青銅器多粗糙草率,且核心禮器多為拼湊成套,為“曾侯”亦非“曾侯”。

评分

改為曾侯墓

评分

曾侯乙、M2均未齣銅敦、劍,與楚文化大不相同,應是“曾文化”的特徵。

评分

青銅器多粗糙草率,且核心禮器多為拼湊成套,為“曾侯”亦非“曾侯”。

评分

改為曾侯墓

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