This book is the follow up to the previous volume On Beauty. Apparently beauty and ugliness are concepts that imply each other, and by ugliness we usually mean the opposite of beauty, so all we need do is define the first to understand the nature of the second. But the various manifestations of ugliness over the centuries are richer and more unpredictable than is commonly thought. The anthological quotations and the extraordinary illustrations in this book lead us on a surprising journey among the nightmares, terrors, and loves of almost three thousand years, where acts of rejection go hand in hand with touching gestures of compassion, and the rejection of deformity is accompanied by decadent ecstasies over the most seductive violations of all classical canons. Among demons, madmen, horrible enemies, and disquieting presences, among horrid abysses and deformities that verge on the sublime, among freaks and the living dead, we discover a vast and often unsuspected iconographic vein. So much so that, on gradually encountering in these pages the ugliness of nature, spiritual ugliness, asymmetry, disharmony, disfigurement, and the succession of things sordid, weak, vile, banal, random, arbitrary, coarse, repugnant, clumsy, horrendous, vacuous, nauseating, criminal, spectral, witchlike, satanic, repellent, disgusting, unpleasant, grotesque, abominable, odious, crude, foul, dirty, obscene, frightening, abject, monstrous, hair-raising, ugly, terrible, terrifying, revolting, repulsive, loathsome, fetid, ignoble, awkward, ghastly and indecent, the first foreign publisher to see this book exclaimed: ‘How beautiful ugliness is!’
翁贝托•艾柯(Umberto Eco),意大利人,生于1932年,现居米兰,执教于博洛尼亚大学。他是享誉国际的小说家、符号语言学权威、哲学家、历史学家、文学评论家和美学家,出版过140多部著作,横跨多个领域,都有经典性的建树,是百科全书式的学者,被誉为“当代达·芬奇”。作为全球最具影响力的公共知识分子,他在欧洲已成为知识和教养的象征,知识分子都以书架上放一本艾柯的书为荣。简体中文版艾柯作品:http://book.douban.com/doulist/26197/
丑,很少被谈论,似乎说一说都是不雅,都犯恶心。或者只以衬托美的目的出现,无非是让人益发崇拜美,鄙视丑。 这本丑的历史正儿八经地探讨了丑。还分出了不同阶段的丑,不同门类的丑,而且实心眼地配了大量考据文献和插图……也是没谁了 然而最初的不适应,猎奇过了之后,我看...
评分丑,很少被谈论,似乎说一说都是不雅,都犯恶心。或者只以衬托美的目的出现,无非是让人益发崇拜美,鄙视丑。 这本丑的历史正儿八经地探讨了丑。还分出了不同阶段的丑,不同门类的丑,而且实心眼地配了大量考据文献和插图……也是没谁了 然而最初的不适应,猎奇过了之后,我看...
评分(与《华商报》编辑我老妹的初次合作) 意大利学者翁贝托•艾柯在撰写他那本惊艳之作《美的历史》时,就专门设立了单章《怪物之美》来释解美与丑的辨证关系:“所有文化皆有其美的观念,亦有其丑的观念……在西方人眼中,其他文化的拜物与面具是可怖、畸形之物,当地人则可...
评分《丑的历史》有网友说老早收到了,讲收到的书品相交关好。我5月24日在卓越下的这笔订单,31日中午收到,与第二次调换的《时间的故事》一起送来。精装书品相出人意料的漂亮——快递员说,这两本精装都从苏州库房调拨而来呢,他不知道的是这两本书都是Viking兄编辑滴。 对于这...
评分在著名的意大利小说家和学者翁贝托·艾柯的眼里,蒜头鼻、麻子脸和大肥腿都可以变得美丽而迷人。 艾柯上周在法兰克福书展上推出了自己的新作《丑的历史》(Storia dellabruttezza,英译书名为“OnUgliness”)。 他出版于2005年的《美的历史》(Storiadellabellezza...
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