<p>Preface<br />
It is very difficult to begin acknowledging here all the people， places，<br />
and things that are chiefly responsible for such an undertaking; but<br />
the authors wish to thank some important people here without<br />
whose help， inspiration， and dedication this book would have been<br />
impossible. Thanks to Ron Hobbs， to whose urging to do the re-<br />
search needed for such a work we finally succumbed. Thanks to<br />
Lorenzo D. Turner， whose many years of study and many fine books<br />
on black language made the research task easier. Thanks also to the<br />
many p~ople who have done some initial work in the area of<br />
black languages and black dialects. Especially inspiring were LeRoi<br />
Jones s (Imamu Amiri Baraka s) Blues People， Lydia Parrish s<br />
Slave Songs of the Georgia Sea Islands， Edward L. Tinker s Gombo<br />
Comes to Philadelphia， Western Electric Company s audio presenta-<br />
tion， "The Dialect of the Black American，" and William A. Stewart s<br />
work at the Center for Applied Linguistics.<br />
Thanks also to Barbara Schwartz， who typed the final draft and<br />
to Amy Shelansky， Pat Bruce， and Bella Rosenberg， who gave of<br />
their time and energy in research. And finally， to Kathy Benson， the<br />
one person most responsible for pulling the manuscript together<br />
into some literate， ~oherent form.<br />
Hopefully， readers will not interpret the information presented<br />
here as final authority; new discoveries are being made in this area<br />
every day. Instead this should be viewed as an introductory work.<br />
The authors take all responsibility for it.</p>
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