TAILGATING DIEBENKORN<br >It s lime to leave T out of my work for five years,<br >remove the clock from the room. Charged daylight leers,<br >lances the throttled stratosphere, demanding the "alas" fears<br >inspire to drop off. A thick white-out deletes sighs: many careers<br >are shaken by this onslaught of omission. Atavistic as a chandclier<br >left aglow in the New Minimalism of interior design, an old chandelier,<br >old as the T , T old, Io, the T must now go, crated and placed to the r<br >of the foam-chip-sealed late-C hing porcelain bowl in the basement near<br >the gilted oval mirror, a Victorian toad, and sepia photographs of dear<br >ones, wrapped carefully in tissue paper and locked in files tor fear<br >of further disintegration, their empty metal frames now clear<br >of persons in costumes, retrieved, hung bare in the severe<br >white, minimal L-room whcrc a presence sleeps in mere<br >flesh, while the raw-silk daylight calls "over here."<br >
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