TAILGATING DIEBENKORN<br >It s lime to leave T out of my work for five years，<br >remove the clock from the room. Charged daylight leers，<br >lances the throttled stratosphere， demanding the "alas" fears<br >inspire to drop off. A thick white-out deletes sighs: many careers<br >are shaken by this onslaught of omission. Atavistic as a chandclier<br >left aglow in the New Minimalism of interior design， an old chandelier，<br >old as the T ， T old， Io， the T must now go， crated and placed to the r<br >of the foam-chip-sealed late-C hing porcelain bowl in the basement near<br >the gilted oval mirror， a Victorian toad， and sepia photographs of dear<br >ones， wrapped carefully in tissue paper and locked in files tor fear<br >of further disintegration， their empty metal frames now clear<br >of persons in costumes， retrieved， hung bare in the severe<br >white， minimal L-room whcrc a presence sleeps in mere<br >flesh， while the raw-silk daylight calls "over here."<br >
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