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Unexpected Obstacles

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發表於2024-11-10

Unexpected Obstacles 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Unexpected Obstacles 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Unexpected Obstacles 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Unexpected Obstacles 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Unexpected Obstacles 在線電子書 圖書描述

Preface<br >Exhibitions are absoLuteLy necessary for understanding art. The way in<br >which we talk about art and perceive it is determined by exhibitions.<br >ConsequentLy, exhibitions are the primary means of communication for<br >contemporary art. They are its body and voice. Exhibitions have become<br >an important part of the cuLture industry, which is again based on the<br >"consciousness industry" created by the entertainment and news<br >industries. In the 1990s art is in a major transition as various new media<br >experiences have entered our Lives; the emergence of communication<br >networks as artists instruments has provided the visuaL arts with an<br >opportunity to associate with digitaL or eLectronic copying technologies.<br > GaLLery Otso has organised exhibitions on interactive media art since<br >1991. Over the years we have had the opportunity to present several<br >remarkabLe, internationaLLy acknowLedged media artists. Jeffrey Shaw,<br >Lynn Hershman, Toshio Iwai, BiLL Seaman, Ken FeingoLd, JiLL Scott, Simon<br >Penny, Eduardo Kac, Christa Sommerer/Laurent Mignonneau, Agnes<br >Hegedus, PauL Sermon, and David Rokeby have by their works given the<br >audience of Otso an opportunity to share the joy of discovery and recogni-<br >tion. The exhibition of Perry Hoberman, an American media and<br >performance artist, in GaLLery Otso continues this tradition of exhibitions<br >through which we aim at providing the Finnish art audience an opportunity<br >to acquaint themseLves with visual arts generated by electronic culture.<br > Perry Hoberman s exhibition introduces a new aspect to what we have<br >aLready seen. The idea of shared creativity is one of the most important<br >aspects in Hoberman s art: humour and play are combined in these<br >extravagant everyday object instaLLations. Hoberman produces works<br >which have to do with Life. The resuLt is an unhierarchicat order and<br >disorder, where banaL sounds, visions, and mass-produced functions<br >interact and become one. What emerges is an "audiovisuaL cocktaiL". Our<br >subjective experience guarantees that some toLerabLe baLance remains.<br >The irony is never vicious or cynicaL, resuLting rather from the way the<br >artist works: defamitiarised, yet so close to home in the spirit of Neo-<br >dada, Ftuxus, and popuLar culture. Hoberman is cLearLy a dreamer and a<br >pragmatist. At best, he is a poet.<br >

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