Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Odd Man Out: A Memoir of the Holllywood Ten

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Edward Dmytryk 作者
Southern Illinois University Press
译者
1996-3-20 出版日期
224 页数
USD 22.50 价格
平装
丛书系列
9780809319992 图书编码

Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 图书标签: #Lib  ##BUPE  # 


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发表于2024-10-06


Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 著者简介

Edward Dmytryk was the driving force behind some of Hollywoods greatest films, especially in the film-noir genre. Dmytryks work on Crossfire (1947) earned him a nomination for an Academy Award for Best Director. He is also known for such films as Murder, My Sweet (1945), The Caine Mutiny (1954), Raintree County (1957), The Young Lions (1958), and A Walk on the Wild Side (1962). Both Crossfire and The Caine Mutiny were nominated for Academy Awards as Best Picture.


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Odd Man Out: A Memoir of the Holllywood Ten 在线电子书 图书描述

In 1947, the House Un-American Activities Committee rudely interrupted the successful career and life of Edward Dmytryk, citing him with contempt of Congress. As a result, Dmytryk was fired by RKO and spent three years in England before returning to the United States to serve a six-month jail sentence and undergo a second round of hearings, during which he recanted and provided evidence against several of his former colleagues.

In this personal and perceptive book, Dmytryk sharply chronicles the history of a particularly turbulent era in American political life while examining his own life before and after the events universally called the witch hunts. He details his brief membership in the Communist Party of America, explaining his initial commitment to what he perceived as communist ideals of civil liberties, economic justice, and antifacism, followed by his eventual disillusionment with the party as itbetrayed those ideals. He goes on to provide a fair assessment of what then happened to him and the effect it had on the rest of his life.

Dmytryk describes the activities, prejudices, and personal behaviors of all the parties enmeshed in the congressional hearings on communism in Hollywood. His reactions to other members of the Hollywood Ten and his recollection of conversations with them lend his book an immediacy that is not only informative but also absorbing. Most importantly, he does not uphold an ideology but rather presents the events as he perceived them, understood them, and responded to them. Dmytryk’s account is characterized by an openness born of a mature awareness of personal trial as history.

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