Amazon.com In each successive novel since Degree of Guilt, Richard North Patterson has experimented with flashbacks and past tragedies to drive the present suspense of his legal thrillers. Silent Witness is, perhaps, his greatest achievement with the technique as his hero, Tony Lord, is haunted by the 27-year-old murder of his high school girlfriend, Alison Taylor. In the late 1960s, Tony is the star of the Lake City, Ohio, high school football team. But when Alison is found strangled behind her house, even Tony's closest friend, Sam Robb, suspects him. Alison's true killer is never found, and Tony flees his home town to forge a career as a high-powered, high-profile San Francisco criminal attorney and marries a a movie star. Cutting to the present day, Tony is called back to Lake City to defend his old friend. Sixteen-year-old track star Marcie Calder was found dead on the shore of Lake Erie, and Sam, now the overweight assistant principal and track coach of Lake City High, is the accused. A series of scandals slowly erodes Tony's confidence in Sam's innocence as Tony comes to terms with his own troubled past. As with Patterson's previous work, Silent Witness is a novel with subtle characters who happen to be involved in a compelling (and authentic-seeming) criminal trial. For dedicated Patterson fans, some insight into the life of actress Stacey Tarrant is a special treat. She's Tony's wife in the present world of the novel but was the lover of Senator James Kilcannon before the senator was assassinated. James was the brother of Kerry Kilcannon, the enigmatic presidential candidate at the center of Patterson's 1998 blockbuster, No Safe Place. --Patrick O'Kelley --This text refers to the Mass Market Paperback edition. From Publishers Weekly Like its predecessors, Patterson's latest novel (after The Final Judgment) evinces endless admiration for the ornateness of the law, and is crowded with complex characters whose troubles will draw readers deeply into their story. This hypnotic tale revolves around a friendship that begins on a high-school football field and is tested half a lifetime later in a Lake City, Ohio, courtroom. Tony Lord, a noted California criminal lawyer, returns to the home of his youth to defend his oldest friend, Sam Robb, against the charge of murdering his 16-year-old mistress. Lord takes the sordid case in part because his own life was nearly shattered when, as a teenager, he was suspected of murdering his own girlfriend. Because he wasn't formally charged, he was never "acquitted" by his neighbors of the brutal killing, which remains unsolved 28 years later. Lord isn't ready for the feelings that assault him in Lake City, or for the resurrection of memories both cherished and hated-like those of his brief affair with the cheerleader who became Sam Robb's wife, or of Sam's past questioning of Lord's innocence. Moving back and forth in time with metronomic patience, Patterson grants these two homicide cases an almost epic grandeur. He examines, in sometimes painful detail, the ways in which the friendships of youth can pass into personal mythology and skew adult judgment. But he is at his dramatic finest when, at last, he gives the emotions of these characters, who are connected by a lifetime of love and resentment, full reign in the courtroom. These are the scenes that his fans will anticipate most eagerly, and they are as explosive and revealing as anyone could wish. 400,000 first printing; Literary Guild main selection; simultaneous Random House Audio. Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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这本书最引人入胜的地方,在于它对“缺席”的描绘。它没有依赖于一个脸谱化的反派或一个戏剧性的高潮来推动剧情,相反,故事的驱动力来自于那些“不在场的人”的影响力,以及那些“未曾发生的对话”所留下的巨大真空。读者与叙述者一起,在不断地试图重建一个被刻意隐藏或遗忘的真实。我个人对这种侧重于“痕迹”而非“实体”的叙事手法非常着迷。书中的人物关系刻画也十分微妙,每个人似乎都背负着自己的秘密,他们之间的互动充满了试探和戒备,即便是最亲密的伙伴,也可能在某个关键时刻保持着心照不宣的距离。这种人际张力,比任何外部的追逐或对抗都要来得更具压迫感。它探讨了记忆的不可靠性,以及社会结构如何巧妙地将某些真相隔离在可见的范围之外。
评分这本书的语言风格,初读起来可能有些清冷,甚至带着一种疏离感,但一旦适应了这种独特的语调,你会发现其中蕴含着惊人的力量。作者的用词极其考究,很多形容词和动词的选择,都精准地捕捉到了那种“不可言说”的状态。比如,对某些场景的描绘,他总是选择了一种近乎冷静的客观视角,但这冷静的背后,却是对人物内心挣扎的冷峻审视。尤其是在处理几段关键的内心独白时,那种句式上的跳跃和逻辑上的不完全连贯,反而完美地模拟了人在极度疲惫或震惊时思维的破碎状态。这不仅仅是一部情节驱动的作品,它更像是一篇关于“沉默”和“视角”的哲学探讨。我花了很长时间去回味那些看似平淡的对话,因为很多真正的“信息”和“冲突”,都藏在那些没有说出口的话语和停顿之中。它要求读者投入更多的精力去解码,而不是被动地接受信息,这种互动性是很多当代小说所欠缺的。
评分从整体阅读体验来说,这本书更像是一次对感官的细致打磨,而非肾上腺素的狂飙。它有着一种近乎古典的叙事节奏,沉稳、厚重,不急于取悦读者。我尤其欣赏作者在处理“道德模糊地带”时的那种审慎态度,书中没有绝对的好人或坏人,只有在特定环境下被推向不同境地的个体。每一次主角试图做出抉择时,我们都能感受到那种沉重的代价感,选择A意味着放弃B的全部可能性,而这种放弃往往是永久性的。这使得故事的结局,即便是最终揭示了真相,也带着一种难以言喻的苦涩和不完美。它不是那种读完后会让你拍案叫绝,然后立刻丢开的书,而是那种会让你在接下来的几天里,时不时地停下手头的事情,重新回味某个场景、某句台词,并开始在自己的生活背景中寻找对应投射的“余味悠长”之作。
评分我必须承认,这部作品的结构设计是极其大胆且精巧的。它没有采用传统意义上的线性叙事,而是采用了多重时间线的交叉剪辑,每一次的场景切换都像是打开了一个新的抽屉,里面藏着一块拼图的关键碎片。起初,我感觉有些吃力,信息的碎片化让人难以快速建立起完整的画面感,但随着阅读的深入,那种豁然开朗的感觉非常震撼。作者像是耐心地铺设了一个巨大的迷宫,每当读者以为找到出口时,却发现只是进入了另一个循环。特别是几次关键性的“闪回”,它们并非简单的插叙解释背景,而是以一种近乎潜意识的方式,反过来重塑了读者对先前事件的理解。这种叙事上的“去中心化”处理,使得故事的悬念得以层层递进,而不是在中间某个节点就早早揭晓。读完最后一章,回溯整个阅读过程,你会发现每一个看似多余的细节,都在为最终的收束提供必要的张力。
评分这本书的叙事节奏把握得相当精准,从开篇的几个小场景切入,就已经能感觉到一种微妙的紧张感在空气中酝酿。作者似乎非常擅长于通过环境的细微变化来暗示人物内心的波澜,比如对窗外天气和室内光线的细腻描摹,都与主角当时的情绪状态形成了巧妙的映照。我特别欣赏它对细节的关注,很多看似无关紧要的物件,在后续的情节发展中都起到了关键性的作用,这使得整个故事的结构显得异常扎实和严谨。阅读过程中,我几乎能随着主人公的每一次呼吸而屏住自己的心跳,那种被情节紧紧拽住的感觉,不是那种靠着夸张的动作场面堆砌出来的刺激,而是源自于对人性幽微之处的深刻洞察。它迫使你去思考,在极端压力下,人究竟能做出何种选择,以及那些被压抑的真相是如何在不经意间找到释放的出口。全书的情感色彩是内敛而深沉的,没有太多外放的戏剧冲突,但字里行间流淌着一股令人难以释怀的宿命感。
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