Amazon.com Sara Swerdlow and Adam Langer are in many ways the ideal Manhattan pair. Their relationship is unvexed by the strains of sexual attraction, since both prefer men, and has even survived Adam's huge early success as "the gay Neil Simon." This couple, after all, can commiserate about lovers, talk about their favorite types, and ponder "the puzzlingly popular aesthetic of boxer shorts, which transformed all men into their uncles." Each August, along with their married friends Maddy and Peter, they rent the perfect Long Island wreck, complete with impossible landlady. Now that they're all 30, each is clinging to the last vestiges of youth--and a little concerned that Maddy and Peter's baby, not to mention Adam's new boyfriend, will alter the chemistry. But what no one can possibly know is that an accident will put Sara entirely out of the picture and bring her grieving, eccentric mother into it. Killing off her ostensible heroine so early in Surrender, Dorothy may initially seem a bizarre undertaking, since Meg Wolitzer's fans would be more than content with her take on the foursome's summer holiday. The author, let's recall, is an expert social observer, and can turn a divinely comic phrase in her sleep. But in her fifth novel Wolitzer is aiming for more, and her expertly controlled scenes slide from charming farce to deeper melancholy. Set in a temporary summer rental, Surrender, Dorothy is really about the permanence of loss and revelation. --Kerry Fried From Publishers Weekly Each of Wolitzer's novels (Friends for Life, etc.) has demonstrated this young writer's growing grasp of narrative technique. Here, her seamless prose and light touch animates an exquisitely wrought story about the sudden death of a charming 30-year-old woman. Despite the tragic situation, readers will be intrigued, even delighted, with the unfettered honesty and wry humor pervading the grieving process that Wolitzer describes. Sara Swerdlow is "pretty, but not vacant," smart rather than brilliant, uncomplicated, easy-to-take, beloved; she dies in a car crash at the end of the first chapter, at the onset of a summer vacation with friends. Sara's mother, the heartbreakingly rendered Natalie, is devastated by her only child's death. (Mother and daughter were extremely close; "Surrender, Dorothy," they would say to each other on the phone as a signal to tell all.) She cannot face a funeral or the weeping friends, and arranges a private burial. But it isn't long before Natalie is on her way to the summer house where Sara and her friends always spent the month of August. Already at the beach house are Sara's best friend, Adam, a successful young playwright dubbed "the gay Neil Simon" by the media; his companion, Shawn; and Maddy and Peter, Sara's long-married friends who have just had their first baby. Natalie takes Sara's room and for a few weeks inhabits her daughter's life. She comes to know Adam, acts as a stand-in mother for needy Shawn and finds herself attracted to Peter, setting off a crisis as she inadvertently reveals to Maddy one of Sara's more troubling secrets. Wolitzer enchants with wholly realized characters and a sly narrative voice that floats just above the angst and searing grief of Sara's loved ones. The password phrase "Surrender, Dorothy" takes on a new meaning for the bereft mother in a fitting, radiantly understated conclusion. (Apr.) FYI: Film rights optioned by Showtime Channel/Tribeca Films.Copyright 1999 Reed Business Information, Inc. See all Editorial Reviews
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这部作品的叙事节奏掌握得炉火纯青,仿佛一位技艺高超的指挥家,精准地调动着每一个音符的高低起伏。作者对场景的描绘细腻入微,那种空气中弥漫的湿润和泥土的芬芳,甚至能通过纸张的触感传递给我,让我仿佛亲身站在那个设定之中,感受着角色的每一次呼吸和心跳。我尤其欣赏它对于人物内心挣扎的刻画,那些微妙的情绪波动,那些不为人知的犹豫和自我怀疑,都被剥离得清晰可见,毫不矫揉造作。它不是那种直白地告诉你“这个人很痛苦”的叙事,而是通过一系列精心设计的对话和场景,让你自己去体会那种深层的、难以言喻的煎熬。阅读过程中,我时常停下来,反复咀嚼某一句精妙的对白,那里面蕴含的力量足以颠覆你对某些既定观念的看法。它挑战了我们习以为常的道德边界,迫使我们去审视那些我们本以为已经解决好的“是”与“非”。这种阅读体验是极其饱满和充实的,它不仅仅是打发时间,更像是一次深刻的自我对话,读完之后,感觉思维的角落都被清理和重新排序了一遍,留下的余韵悠长,值得细细回味良久。
评分这本书的情感张力实在是惊人,但它的厉害之处在于,这种张力并非来自于廉价的戏剧冲突或者夸张的场面调度,而是源于角色之间那种微妙的、处于临界点的关系。你总能感觉到,在一层平静的表象下,汹涌的暗流正在酝酿,只需一个微小的触碰,整个平衡就会被打破。我为书中的几位主要人物的命运感到揪心,他们并非完美无瑕的英雄或彻头彻尾的恶人,他们是活生生的人,带着各自的缺陷和不可避免的局限性在命运的洪流中挣扎。作者没有对他们进行道德审判,而是将他们的选择和后果原原本本地摆在我们面前,让你去思考,如果是我,我会怎么做?这种代入感极强,以至于在合上书本后,我依然会反复思量某些角色的决定,甚至会忍不住去为他们辩护或谴责。它成功地将一个宏大的主题,通过最私密、最微小的个人经历来展现,这种由小见大的叙事策略,赋予了作品深远的穿透力。
评分这部作品给我的整体感受,是一种混合了震撼与平静的复杂情绪。它探讨的主题宏大而沉重,涉及了自由的代价、责任的重量,以及个体如何在巨大的社会结构面前保持自我完整性的困境。然而,作者处理这些严肃议题的方式却出奇地克制和优雅。没有歇斯底里的呐喊,没有刻意的煽情,一切都内化于人物日常的言行之中。书中构建的那个世界观虽然虚构,但它对权力结构和社会异化的讽刺却精准地映射了我们身处的现实,让人读后不寒而栗。它不是一本读完就扔掉的书,它具有持久的生命力,我敢肯定,在未来重读时,基于我自身经历的变化,我还会发现出全新的意义。它像一面棱镜,折射出人性中那些既美丽又脆弱的光谱,迫使读者直面那些通常被我们本能地回避的阴影。这是一次严肃的、值得被认真对待的阅读体验。
评分坦白说,一开始我是被它的封面设计吸引的,那种带着一丝神秘和疏离感的色调,成功地勾起了我的好奇心。然而,真正让我沉浸其中的,是作者那近乎诗意的语言风格。她的笔触是如此的轻盈而有力,即便是描绘最沉重的事件,也总能找到一丝不易察觉的美感。这种反差带来的冲击感非常强烈,让人在惊叹于文字之美的同时,又被故事的残酷现实所震撼。这本书最成功的地方在于它构建了一个极其真实可信的平行世界,里面的规则和逻辑虽然源自虚构,但其对人性的揭示却无比精准。我特别喜欢那种非线性的叙事手法,时间像被打碎的镜子,碎片化的信息最终拼凑出一个完整却又充满裂痕的真相。这种阅读过程需要读者投入极高的注意力,因为它拒绝喂养你现成的答案,它要求你亲自去挖掘、去连接那些看似无关的线索。每一次找到一个关键点,那种豁然开朗的喜悦,是阅读其他许多平铺直叙的作品所无法比拟的。它更像是一场智力上的探险,而非被动的接收信息。
评分从文学技法的角度来看,这部作品无疑是大师级的。作者对语言的驾驭达到了近乎苛刻的程度,每一个词语的选择都经过了深思熟虑,没有一个多余的形容词,也没有一句可以被轻易跳过的对白。结构上的精巧设计,比如反复出现的母题和意象,构建起了一个严密的符号系统,初读时或许只是觉得某个画面很美,但随着阅读的深入,你会意识到这些重复出现的元素是如何服务于整体主题的升华的。我必须承认,阅读它需要耐心,因为它不像快餐文学那样即时满足,它需要你慢下来,去品味那些隐藏在字里行间的潜台词。对于那些追求文学深度和复杂性的读者来说,这无疑是一份珍馐。我尤其欣赏它在处理“记忆”这个主题时所展现出的非线性思维,记忆的闪回与现实的交织,模糊了过去与现在的界限,使得整个故事的层次感和厚重感大大增强,让人不得不佩服作者构建复杂叙事框架的功力。
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