In 1965, "The New York Times" called Tokyo-born, New York-based Fluxus artist Yoko Ono, a one person culture explosion." In this generous volume, Ono presents instruction pieces from 1961 to the present, including three scores from her iconic 1964 artist's book, "Grapefruit"--"Drinking Piece for Orchestra," "Bicycle Piece for Orchestra" and "Painting to Be Slept On"--which are republished here for the first time. Ono has explained the origin of these works: .,."sometimes for financial reasons, sometimes for technical difficulties, I could never realize all the ideas which were literally bombarding me. But now, I could just write instructions. It freed me." Also included are more than 100 drawings from "Franklin Summer," a series begun in 1994, comprising 1,400 inkblot drawings on paper, and "Vertical Memory" (1997)--dedicated to Ono's father--a photograph in 21 parts depicting a distorted face. The piece, which Ono considers her best, is a culmination of her life's work."
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如果不是良好的家世 Yoko Ono未必有机会去体验这些前卫
评分如果不是良好的家世 Yoko Ono未必有机会去体验这些前卫
评分如果不是良好的家世 Yoko Ono未必有机会去体验这些前卫
评分如果不是良好的家世 Yoko Ono未必有机会去体验这些前卫
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