The Verbal Icon 在線電子書 圖書標籤: 文藝理論 文學理論 詩歌 詩學 文學 Wimsatt
發表於2024-11-28
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之意圖謬誤。 囉嗦的Wimsatt翻來覆去就為一個主張,作品本體論,作品與作者意圖無關。老師看瞭想端槍型論述。 末尾拿T. S. Eliot在荒原的注釋開刀,暗示詩歌應具有immediacy的力量。如果allusion不明就無法自顯的詩意的詩是否為好詩?但,如果以這個為標準,不就陷入瞭情感謬誤嗎? 意圖謬誤整篇隻提齣問題,指齣存在的internal is public & external is private的悖論,至於客觀標準為何物作者未錶。Wimsatt徹底隔絕瞭讀者和作者的交流,絕對文本中心注定會變得狹隘。60年後的我們又迴歸文本細讀,多細纔是細呢?新批評的方法成為一種基本功。
評分Intentional Fallacy is a witty piece. He manipulates a couple of empirical paradoxes to provoke insights. And those insights are carried pretty far.
評分之意圖謬誤。 囉嗦的Wimsatt翻來覆去就為一個主張,作品本體論,作品與作者意圖無關。老師看瞭想端槍型論述。 末尾拿T. S. Eliot在荒原的注釋開刀,暗示詩歌應具有immediacy的力量。如果allusion不明就無法自顯的詩意的詩是否為好詩?但,如果以這個為標準,不就陷入瞭情感謬誤嗎? 意圖謬誤整篇隻提齣問題,指齣存在的internal is public & external is private的悖論,至於客觀標準為何物作者未錶。Wimsatt徹底隔絕瞭讀者和作者的交流,絕對文本中心注定會變得狹隘。60年後的我們又迴歸文本細讀,多細纔是細呢?新批評的方法成為一種基本功。
評分之意圖謬誤。 囉嗦的Wimsatt翻來覆去就為一個主張,作品本體論,作品與作者意圖無關。老師看瞭想端槍型論述。 末尾拿T. S. Eliot在荒原的注釋開刀,暗示詩歌應具有immediacy的力量。如果allusion不明就無法自顯的詩意的詩是否為好詩?但,如果以這個為標準,不就陷入瞭情感謬誤嗎? 意圖謬誤整篇隻提齣問題,指齣存在的internal is public & external is private的悖論,至於客觀標準為何物作者未錶。Wimsatt徹底隔絕瞭讀者和作者的交流,絕對文本中心注定會變得狹隘。60年後的我們又迴歸文本細讀,多細纔是細呢?新批評的方法成為一種基本功。
評分之意圖謬誤。 囉嗦的Wimsatt翻來覆去就為一個主張,作品本體論,作品與作者意圖無關。老師看瞭想端槍型論述。 末尾拿T. S. Eliot在荒原的注釋開刀,暗示詩歌應具有immediacy的力量。如果allusion不明就無法自顯的詩意的詩是否為好詩?但,如果以這個為標準,不就陷入瞭情感謬誤嗎? 意圖謬誤整篇隻提齣問題,指齣存在的internal is public & external is private的悖論,至於客觀標準為何物作者未錶。Wimsatt徹底隔絕瞭讀者和作者的交流,絕對文本中心注定會變得狹隘。60年後的我們又迴歸文本細讀,多細纔是細呢?新批評的方法成為一種基本功。
W. K. Wimsatt (1907-1975) was associate professor of English at Yale University.
The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a person who studies poetry today has a critical concern, not merely a historical interest, in what Aristotle or Plato said about poetry. He regards the great perennial problems of criticism as arising not by the whim of a tolerantly pluralist choice, but from the nature of language and reality.
With profound learning and insight, Wimsatt treats almost the whole range of literary criticism. The first group of essays deals with fallacies he believes are involved in prevalent approaches to the literary object. The next two groups face the responsibilities of the critic who defends literature as a form of knowledge; they treat various problems of structure and style. The last group undertakes to examine the relation of literature to other arts, the relation of evaluative criticism to historical studies, and the relation of literature not only to morals, but more broadly to the whole complex of the Christian religious tradition.
Editorial Reviews
Review
"This is criticism in terms of value and of structure. . . . Consistent and impressive."―New Republic
"One of the major works of criticism in English."―Modern Language Review
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The Verbal Icon 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024