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Materializing Art History

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Gen Doy 作者
Berg Publishers
譯者
1998-05-01 出版日期
256 頁數
USD 105.00 價格
Hardcover
叢書系列
9781859739334 圖書編碼

Materializing Art History 在線電子書 圖書標籤: 藝術史書單  藝術   


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Materializing Art History 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

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Materializing Art History 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Materializing Art History 在線電子書 著者簡介

Gen Doy is Professor of the History and Theory of Visual Culture, De Montfort University, Leicester and the author of Black Visual Culture: Modernity and Postmodernity and Drapery: Classicism and Barbarism in Visual Culture (both I.B.Tauris)


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Materializing Art History 在線電子書 圖書描述

Quite a number of studies have assessed the value of Marxism to literary criticism, but there has been no recent and systematic study of what Marxism has to offer the social history of art. In situating the various strands of Marxist art history and the social history of art within ideological, political and historical contexts, this book represents a significant contribution to the study of visual culture at a time when old trends in Marxist art history are being reappraised. The author argues that the fragmented and confused state of the social history of art is the result of many radical cultural and art historians' move away from, rejection of, or even ignorance of Marxism, and their espousal of postmodern theories without any adequate method to position themselves in relation to these theories. Further, the reasons for this are ultimately to be found in the material conditions of late twentieth century culture and society, in the political disorientation of liberals and most of the Left, or what Jameson and Mandel describe as late capitalism.Focusing on developments in the visual arts over the last eighty years but drawing extensively on historical precedents, this book demonstrates that Marxism is far subtler than is commonly assumed. The author looks at works which appear 'easy' to understand in Marxist terms, but more importantly, non-figurative works and works by women and black artists which Marxists have generally shied away from tackling. Certain to become standard reading on a number of courses, this book clearly and persuasively demonstrates that Marxism can help the art and cultural historian take a more nuanced approach to visual culture.

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