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In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

incredible Ai.

继续思考当代艺术。

挺好的一本書 之前想帶爸媽去NSW Gallery看Forever的那個自行車但是居然撤展了 OBRIST: What’s the moment we all waiting for? AI: The moment where we lose our consciousness.

他确实很有天赋。作品有美感，木门制作的回旋让人无法转移视线。可那种愤怒称为了一种不悦的渲染，或许能让许多青年产生共鸣，但我总下意识觉得与商业有关。不过，这确实是所有创作都面临的问题：是本真还是迎合，即使是本真又如何不被看成迎合？//Karen Smith值得mark

挺好的一本書 之前想帶爸媽去NSW Gallery看Forever的那個自行車但是居然撤展了 OBRIST: What’s the moment we all waiting for? AI: The moment where we lose our consciousness.