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Michael Fried 作者

Yale University Press

译者

2008-12-1 出版日期

410 页数

USD 55.00 价格

Hardcover

丛书系列

9780300136845 图书编码

Why Photography Matters as Art as Never Before 在线电子书图书标签: 摄影摄影理论当代艺术艺术史 Photography Michael.Fried 艺术理论艺术史（西方）

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Why Photography Matters as Art as Never Before 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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读了Jeff Wall的三章，论如何用海德格尔和维特根斯坦写(cou)评(zi)论(shu)

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From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting. Fried further demonstrates that certain philosophically deep problems - associated with notions of theatricality, literalness, and objecthood, and touching on the role of original intention in artistic production, first discussed in his contro-versial essay "Art and Objecthood" (1967) - have come to the fore once again in recent photography. This means that the photo-graphic "ghetto" no longer exists; instead photography is at the cutting edge of contemporary art as never before.Among the photographers and video-makers whose work receives serious attention in this powerfully argued book are Jeff Wall, Hiroshi Sugimoto, Cindy Sherman, Thomas Struth, Thomas Ruff, Andreas Gursky, Luc Delahaye, Rineke Dijkstra, Patrick Faigenbaum, Roland Fischer, Thomas Demand, Candida Hofer, Beat Streuli, Philip-Lorca diCorcia, Douglas Gordon and Philippe Parreno, James Welling, and Bernd and Hilla Becher. Future discussions of the new art photography will have no choice but to take a stand for or against Fried's conclusions.

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我们希望摄影是什么？回应迈克尔·弗雷德《巴特的刺点》[1] 文 | 詹姆斯·埃尔金斯译 | It 虽然迈克尔·弗雷德接受在他之前对刺点（punctum）的理解，[2]但不妨说，刺点已是近期摄影理论中最常被误用的两个术语之一[另一个是查尔斯·皮尔斯（Charles Peirce）的指示性概念[3]]...

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